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Inspired by New Zealand's lathe pioneer Peter King, Dixon acquired a disc cutting lathe and began cutting and releasing hand-made DIY records. In 2013, Dixon put his teaching career on hold and moved to Tucson to make records full time, through his five vinyl companies: PIAPTK, Soiled Gold, Lathecuts.com, Mobile Vinyl Recorders, and The Science ...
A disc cutting lathe is a device used to transfer an audio signal to the modulated spiral groove of a blank master disc for the production of phonograph records. Disc cutting lathes were also used to produce broadcast transcription discs and for direct-to-disc recording.
It was pressed on green vinyl and limited to 300 copies, each wrapped in a 24-page cover. [citation needed] Hardcore punk band 2Minute Minor released a 20-second song called Soda Tax on a single-sided 2" lathe cut record, limited to 50 copies.
Lacquer-coated discs are used for the production of records. Unlike ordinary vinyl records, which are quickly formed from lumps of plastic by a mass-production molding process, a lacquer master or acetate (instantaneous record) is created by using a recording lathe to cut an audio-signal-modulated groove into its surface – a sequential ...
DMM copper disc sitting on the turntable of a Neumann AM32 lacquer cutting lathe, built in the 1930s. Direct metal mastering (DMM) is an analog audio disc mastering technique jointly developed by two German companies, Telefunken-Decca and Georg Neumann GmbH, toward the end of the 20th century after having seen the same technology used by RCA Princeton Labs for its SelectaVision videodiscs in ...
A recording lathe and chisel-like cutting stylus like those used to record in wax would be used to engrave the groove into this lacquer surface instead. Given a top-quality blank disc, cutting stylus, lathe, electronics and recording engineer, the result was a broadcast-quality recording which could be played several times before the effects of ...
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The 3-2 mixdown was done on a modified Westrex mixer. For the original LPs, the mixer directly fed the custom cutting chain. At Fine Recording in New York City, the Westrex cutter head on a Scully lathe was fed by modified McIntosh 200W tube amplifiers with very little feedback in the system. Older mono records were made with a Miller cutter head.