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Philippine literature in English has its roots in the efforts of the United States, then engaged in a war with Filipino nationalist forces at the end of the 19th century. By 1901, public education was institutionalized in the Philippines , with English serving as the medium of instruction.
[1] [2] Philippine literature encompasses literary media written in various local languages as well as in Spanish and English. According to journalist Nena Jimenez, the most common and consistent element of Philippine literature is its short and quick yet highly interpersonal sentences, with themes of family, dogmatic love, and persistence. [3]
Her contemporary at the University of the Philippines, Jose Garcia Villa, was an admirer of her works, [3] and included several of her short stories in his annual honor roll of short fiction. [1] The novelist Juan Laya extolled her in 1951 as " one of the few remaining great pioneers of Philippine literature in English.
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Philippine epic poetry is the body of epic poetry in Philippine literature. Filipino epic poetry is considered to be the highest point of development for Philippine folk literature , encompassing narratives that recount the adventures of tribal heroes.
Philippine folk literature refers to the traditional oral literature of the Filipino people. Thus, the scope of the field covers the ancient folk literature of the Philippines' various ethnic groups , as well as various pieces of folklore that have evolved since the Philippines became a single ethno-political unit.
She is an influential tradition in Philippine Literature in English. Together with her late husband, writer and critic Edilberto K. Tiempo, they founded (in 1962) and directed the Silliman National Writers Workshop in Dumaguete City, which has produced some of the Philippines' best writers. Tiempo died on August 21, 2011. [2]
Marcelino M. Navarra (June 2, 1914 – March 28, 1984) was a Filipino Visayan editor, poet, and writer from Cebu, Philippines.He was regarded as the father of modern Cebuano short story for his use of realism and depictions of fictionalized version of his hometown, barrio Tuyom in Carcar, Cebu.