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  2. Shout (Black gospel music) - Wikipedia

    en.wikipedia.org/wiki/Shout_(Black_gospel_music)

    Twinkie Clark, chief executive writer, and arranger for the American gospel group The Clark Sisters is widely credited as the originator of the classic shout sound in contemporary gospel music. [3] In its most standard form, shout music is characterized by very fast tempo , chromatic basslines and piano / organ chords , snare hits and hand ...

  3. Black sermonic tradition - Wikipedia

    en.wikipedia.org/wiki/Black_sermonic_tradition

    The Black sermonic tradition, or Black preaching tradition, is an approach to sermon (or homily) construction and delivery practiced primarily among African Americans in the Black Church. The tradition seeks to preach messages that appeal to both the intellect and the emotive dimensions of humanity.

  4. Voices of praise that shaped Black gospel music - AOL

    www.aol.com/voices-praise-shaped-black-gospel...

    Black gospel music traces its roots back to slavery when enslaved people sang call-and-response songs such as “Roll, Jordan, Roll” and “Swing Low, Sweet Chariot.” These early folk songs ...

  5. Clay Evans (pastor) - Wikipedia

    en.wikipedia.org/wiki/Clay_Evans_(pastor)

    Clay Evans (June 23, 1925 – November 27, 2019) was an African American Baptist pastor and founder of the influential Fellowship Missionary Baptist Church in Chicago, Illinois, famous for its gospel music infused Sunday service and choir. [1]

  6. Darrel Petties - Wikipedia

    en.wikipedia.org/wiki/Darrel_Petties

    Darrel Darnell Petties (born December 17, 1983) is an American gospel musician, worship leader and pastor. He performs urban contemporary gospel and traditional black gospel. He performs with his choir, Strength in Praise. His first album was Count It All Joy, released in 2006, from EMI Gospel.

  7. Black Gospel music - Wikipedia

    en.wikipedia.org/wiki/Black_Gospel_music

    Black gospel music, often called gospel music or gospel, is the traditional music of the Black diaspora in the United States.It is rooted in the conversion of enslaved Africans to Christianity, both during and after the trans-atlantic slave trade, starting with work songs sung in the fields and, later, with religious songs sung in various church settings, later classified as Negro Spirituals ...