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Arthur Symons wrote in 1896 that Sigurd the Volsung "remains his masterpiece of sustained power", and in 1912 the young T. E. Lawrence called it "the best poem I know" [4] [28] According to the philologist E. V. Gordon Sigurd the Volsung is "incomparably the greatest poem – perhaps the only great poem – in English which has been inspired by ...
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Mlokhim-Bukh (Old Yiddish epic poem based on the Biblical Books of Kings) Book of Dede Korkut (Oghuz Turks) Le Morte d'Arthur (Middle English) Morgante (Italian) by Luigi Pulci (1485), with elements typical of the mock-heroic genre; The Wallace by Blind Harry (Scots chivalric poem) Troy Book by John Lydgate, about the Trojan war (Middle English)
List of Brontë poems; List of poems by Ivan Bunin; List of poems by Catullus; List of Emily Dickinson poems; List of poems by Robert Frost; List of poems by John Keats; List of poems by Philip Larkin; List of poems by Samuel Taylor Coleridge; List of poems by Walt Whitman; List of poems by William Wordsworth; List of works by Andrew Marvell
This is a list of English-language poets, who have written much of their poetry in English. [1] Main country of residence as a poet (not place of birth): A = Australia, Ag = Antigua, B = Barbados, Bo = Bosnia, C = Canada, Ch = Chile, Cu = Cuba, D = Dominica, De = Denmark, E = England, F = France, G = Germany, Ga = Gambia, Gd = Grenada, Gh = Ghana/Gold Coast, Gr = Greece, Gu = Guyana/British ...
Frost composed the poem at his farm in Derry, New Hampshire; his home from 1901 to 1911 "Mending Wall" is a poem by Robert Frost.It opens Robert's second collection of poetry, North of Boston, [1] published in 1914 by David Nutt, and has become "one of the most anthologized and analyzed poems in modern literature".
The poem incorporates a complex reliance on assonance—the repetition of vowel sounds—in a conscious pattern, as found in many of his poems. Such a reliance on assonance is found in very few English poems. Within "Ode to a Nightingale", an example of this pattern can be found in line 35 ("Already with thee! tender is the night"), where the ...
This poem marks the introduction into an English context of the classical pastoral, a mode of poetry that assumes an aristocratic audience with a certain kind of attitude to the land and peasants. The explorations of love found in the sonnets of William Shakespeare and the poetry of Walter Raleigh and others also implies a courtly audience.