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Third Persona is "the 'it' that is not present, that is objectified in a way that 'you' and 'I' are not." [1] Third Persona, as a theory, seeks to define and critique the rules of rhetoric, to further consider how we talk about what we talk about—the discourse of discourse—and who is affected by that discourse. [2]
ɪ z əm /; from Latin ille: “he; that man”) is the act of referring to oneself in the third person instead of first person. It is sometimes used in literature as a stylistic device. It is sometimes used in literature as a stylistic device.
For example, in the sentence "the quick brown fox jumps over the lazy dog", there are two third-person referents, the fox and the dog. Thus, one of them has to be proximate and the other one has to be obviative, depending on which one the speaker considers more central to the story.
This category contains articles about novels which use a third-person narrative structure; a mode of storytelling in which the narration refers to all characters with third person pronouns like he, she, or they, and never first- or second-person pronouns. The narrator can be omniscient or limited
Free indirect discourse can be described as a "technique of presenting a character's voice partly mediated by the voice of the author". In the words of the French narrative theorist Gérard Genette, "the narrator takes on the speech of the character, or, if one prefers, the character speaks through the voice of the narrator, and the two instances then are merged". [1]
These are often referred to in the literature as "2+2" and "2+3", respectively (the numbers referring to second and third person as appropriate). Some notable linguists, such as Bernard Comrie , [ 6 ] have attested that the distinction is extant in spoken natural languages, while others, such as John Henderson, [ 7 ] maintain that a clusivity ...
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In narratology, focalisation is the perspective through which a narrative is presented, as opposed to an omniscient narrator. [1] Coined by French narrative theorist Gérard Genette, his definition distinguishes between internal focalisation (first-person) and external focalisation (third-person, fixed on the actions of and environments around a character), with zero focalisation representing ...