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Free indirect discourse can be described as a "technique of presenting a character's voice partly mediated by the voice of the author". In the words of the French narrative theorist Gérard Genette, "the narrator takes on the speech of the character, or, if one prefers, the character speaks through the voice of the narrator, and the two instances then are merged". [1]
Early literature such as Julius Caesar's Commentarii de Bello Gallico or Xenophon's Anabasis, both ostensibly non-fictional accounts of wars led by their authors, used illeism to impart an air of objective impartiality, which included justifications of the author's actions.
This category contains articles about novels which use a third-person narrative structure; a mode of storytelling in which the narration refers to all characters with third person pronouns like he, she, or they, and never first- or second-person pronouns. The narrator can be omniscient or limited
In narratology, focalisation is the perspective through which a narrative is presented, as opposed to an omniscient narrator. [1] Coined by French narrative theorist Gérard Genette, his definition distinguishes between internal focalisation (first-person) and external focalisation (third-person, fixed on the actions of and environments around a character), with zero focalisation representing ...
Third-person view, a point of view in video games where the camera is positioned above the player character or characters; Third-person (video games), a graphical perspective used in video games Third-person shooter, a genre of 3D shooters with a third-person point of view; The Third Person, a graphic novel by Emma Grove; Third Person (band), a ...
For example, lines 1–5, or 1–7, and 111–115 can be considered the words of the poet as they refer to the wanderer in the third person, and lines 8–110 as those of a singular individual in the first person. [20] Alternatively, the entire piece can be seen as a soliloquy spoken by a single speaker. [21]
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For example, in the sentence "the quick brown fox jumps over the lazy dog", there are two third-person referents, the fox and the dog. Thus, one of them has to be proximate and the other one has to be obviative, depending on which one the speaker considers more central to the story.