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Cuban musicologist Mayra Martínez wrote that "the term salsa obscured the Cuban base, the music's history or part of its history in Cuba. And salsa was a way to do this so that Jerry Masucci, Fania and other record companies, like CBS, could have a hegemony on the music and keep the Cuban musicians from spreading their music abroad."
Pacheco also produced music for feature films. The first film he worked on was the 1972 documentary Our Latin Thing; this was also the first film about the influence of salsa on Latino culture in New York City. His second film Salsa released in 1974. In the 1980s, he composed the scores for Mondo New York and Something Wild.
The concert is often cited as one of the most crucial moments in the history of salsa, highlighting the importance of the descarga format in the success of the genre during the 1970s. [29] In 1977, Cachao was brought to a studio by musicologist René López to record two new albums for the Salsoul label: Cachao y su Descarga 77 and Dos.
When the rhythm and music are 'in clave,' a great natural 'swing' is produced, regardless of the tempo. All musicians who write and/or interpret Cuban-based music must be 'clave conscious,' not just the percussionists. [19] Salsa is a potent expression of clave, and clave became a rhythmic symbol of the musical movement, as its popularity spread.
Juan Valdez is a composer and orchestral director of salsa music in the Dominican Republic. Valdez has composed music for Asdrubar and helped jumpstart Michel "El Buenón"'s career, and has prepared arrangements of songs for numerous other vocalists. Valdez, born in 1962, played with merengue bands in his early years, including Sergio Vargas ...
The late Cuban American singer Celia Cruz, known as the Queen of Salsa, will be the first Afro Latina to appear on the U.S. quarter. Cruz was one of the 20th century’s most celebrated Latin ...
The International Salsa Museum (ISM) is a museum in development in New York City dedicated to preserving and celebrating the history, evolution, and global impact of salsa music and dance. [ 1 ] [ 2 ] It has garnered support from the estates of salsa icons Tito Puente and Celia Cruz , as well as many other musicians, dancers, choreographers ...
Eslabon Armado and Peso Pluma's 'Ella Baila Sola' is the first Mexican regional song to reach the top 10 of the Billboard Hot 100 chart.