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"Bésame Mucho" (Spanish: [ˈbesame ˈmutʃo]; "Kiss Me A Lot") is a bolero song written in 1932 by Mexican songwriter Consuelo Velázquez. [2] It is one of the most popular songs of the 20th century and one of the most important songs in the history of Latin music. It was recognized in 1999 as the most recorded and covered song in Spanish of ...
"Bésame Mucho", Spanish-language song written in 1940 by Mexican singer Consuelo Velázquez; Besame Mucho El Musical, jukebox musical featuring bolero songs from the 1920s and 1930s "Bésame" (Camila song), song recorded by Mexican band Camila for their second album Dejarte de Amar "Bésame", 2001 song by Ricardo Montaner
Her best-known piece is the iconic song "Bésame mucho", which she composed in the Cuban music genre bolero when she was only 16 years old. This piece gained Velázquez the most recognition and brought the most pleasure to her, and was created before Consuelo received her first kiss from someone she loves. [ 9 ]
Besame Mucho is a live album by saxophonist Art Pepper recorded in Japan in 1979 at the same concerts that produced Landscape and originally released on the Japanese JVC label in 1981 before being rereleased on the Galaxy label.
Bésame mucho, el musical is a jukebox musical with a book written by Consuelo Garrido, Lorena Maza, and Victor Weinstock. The music, arranged by José María Vitier , features Bolero hit songs from the 1920s to the 1980s.
Bésame mucho, a 1945 Mexican film with Blanquita Amaro; Besame Mucho, a Brazilian film; Bésame mucho, a Colombian film; Besame mucho, a 1999 Italian comedy film directed by Maurizio Ponzi
The banjo ukulele neck typically has sixteen frets, and is the same scale length as a soprano or, less commonly, concert or tenor-sized ukulele. Banjo ukuleles may be open-backed, or may incorporate a resonator. Banjo ukulele heads were traditionally made of calf skin, but most modern instruments are fitted with synthetic heads. Some players ...
Mucho Calor (subtitled A Presentation in Latin Jazz) is an album by trumpeter Conte Candoli and alto saxophonist Art Pepper in an octet with tenor saxophonist Bill Perkins, pianist Russ Freeman, bassist Ben Tucker, drummer Chuck Flores and percussionists Jack Costanzo and Mike Pacheko recorded in 1957 and originally released on the Andex label.