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  2. Music in World War II - Wikipedia

    en.wikipedia.org/wiki/Music_in_World_War_II

    Therefore, the best that can be understood about German Music during the war is the official Nazi government policy, the level of enforcement, and some notion of the diversity of other music listened to, but as the losers in the war German Music and Nazi songs from World War II has not been assigned the high heroic status of American and ...

  3. Music download - Wikipedia

    en.wikipedia.org/wiki/Music_download

    A music download is the digital transfer of music via the Internet into a device capable of decoding and playing it, such as a personal computer, portable media player, MP3 player or smartphone. This term encompasses both legal downloads and downloads of copyrighted material without permission or legal payment.

  4. Panzerlied - Wikipedia

    en.wikipedia.org/wiki/Panzerlied

    The "Panzerlied" ('Tank Song') is a Wehrmacht march of the Nazi era, sung primarily by the Panzerwaffe—the tank force of Nazi Germany during World War II. It is one of the best-known songs of the Wehrmacht and was popularised by the 1965 film Battle of the Bulge. [1] It was composed by Oberleutnant Kurt Wiehle in 1933.

  5. American music during World War II - Wikipedia

    en.wikipedia.org/wiki/American_music_during...

    Resources of American music history : a directory of source materials from Colonial times to World War II. Urbana : University of Illinois Press, 1981. ISBN 0-252-00828-6. OCLC 6304409. Lee, Vera. The black and white of American popular music : from slavery to World War II. Rochester, Vt. : Schenkman Books, 2007. ISBN 0-87047-077-9.

  6. Category:Songs of World War II - Wikipedia

    en.wikipedia.org/wiki/Category:Songs_of_World_War_II

    Download QR code; Print/export Download as PDF; Printable version; ... Pages in category "Songs of World War II" The following 94 pages are in this category, out of ...

  7. Ribs (recordings) - Wikipedia

    en.wikipedia.org/wiki/Ribs_(recordings)

    According to Russian music critic and rock journalist Artemy Troitsky, "grooves were cut [at 78rpm] [5] with the help of special machines (made, they say, from old phonographs by skilled conspiratorial hands)"; he added that the "quality was awful, but the price was low, a ruble or a ruble and a half."