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A bindi is a bright dot of some colour applied in the centre of the forehead close to the eyebrows or in the middle of the forehead that is worn in the Indian subcontinent (particularly amongst Hindus in India, Nepal, Bhutan, and Sri Lanka) [3] and Southeast Asia among Balinese, Javanese, Sundanese, Malaysian, Singaporean, Vietnamese, and ...
Architecture of a Hindu temple (Nagara style). These core elements are evidenced in the oldest surviving 5th–6th century CE temples. Hindu temple architecture as the main form of Hindu architecture has many different styles, though the basic nature of the Hindu temple remains the same, with the essential feature an inner sanctum, the garbha griha or womb-chamber, where the primary Murti or ...
Indian-origin religions Hinduism, Jainism, Buddhism, and Sikhism, [4] are all based on the concepts of dharma and karma. Ahimsa, the philosophy of nonviolence, is an important aspect of native Indian faiths whose most well-known proponent was Shri Mahatma Gandhi, who used civil disobedience to unite India during the Indian independence movement – this philosophy further inspired Martin ...
In southern India, the mark is called pottu (or bottu). The exact shape, size and location of the bindi or pottu shows regional variation; for instance, in some parts of India the bindi is often worn just below the hairline, while in southern India it is more common to wear it between the eyebrows.
Purple Bindu chakra (may also be red) In Tantra, Bindu (or Bindu visarga—"falling of the drop") is a point at the back of the head where Brahmins grow their tuft of hair.
The Mahabharata is of religious and philosophical importance in India; in particular, the Bhagavad Gita, which is one of its chapters (Bhishmaparva) and a sacred text of Hinduism. Maharishi A great enlightened one or seer including ancient gurus/teachers/writers and speakers/poets/singers of sacred literature, especially the Vedas.
In the Hindu tradition, a murti (Sanskrit: मूर्ति, romanized: mūrti, lit. ' form, embodiment, or solid object ') [1] is a devotional image, such as a statue or icon, of a deity or saint [2] used during puja and/or in other customary forms of actively expressing devotion or reverence – whether at Hindu temples or shrines.
The text re-asserts a similar message in the closing chapter, stating for example, in verses 36.20–21 that performance arts such as drama, songs, music, and dance with music are equal in importance as the exposition of the Vedic hymns, and that participating in vocal or instrumental music once is superior to bathing in river Ganges for a ...