Search results
Results From The WOW.Com Content Network
Gomphocarpus physocarpus, commonly known as hairy balls, balloonplant, balloon cotton-bush, bishop's balls, nailhead, or swan plant, [2] is a species of plant in the family Apocynaceae, related to the milkweeds. The plant is native to southeast Africa, but it has been widely naturalized as it is often used as an ornamental plant.
Pencil_in_a_bowl_of_water.png: User:Theresa_knott derivative work: Gregors ( talk ) 10:51, 23 February 2011 (UTC) This is a retouched picture , which means that it has been digitally altered from its original version.
Philadelphia Museum of Art: Arles F 1427 JH 1525 Fishing Boats at Saintes-Maries: 31 July-6 August 1888 Solomon R. Guggenheim Museum, New York Arles F 1430a JH 1526 Harvest Landscape: 31 July-6 August 1888 National Gallery of Art, Washington D.C. Arles F 1486 JH 1527 Fishing Boats at Saintes-Maries-de-la-Mer: 31 July-6 August 1888 Saint Louis ...
These illustrations depicted a vast array of European and exotic plants, often accompanied by detailed annotations on plant anatomy, including flowers, leaves, seeds, and fruits at various stages of development. While a few drawings were done in black ink or pencil, most were finely enhanced with watercolor.
Simple five-petal flower icon, self-made by User:AnonMoos based on abstract circle geometry. For other abstract geometric flowers, see Image:Retro-flower-ornaments.svg Converted from a version of the PostScript vector source code listed on image description page of source image File:Five_petal_flower_icon.svg: Date: 1 February 2013, 11:48 (UTC ...
Anonymous, possibly Fernando Yanez de la Almedina, Leda and the Swan. Oil on panel, 51 5/8 x 30 inches (131.1 x 76.2 cm). Philadelphia Museum of Art, USA (previously at John G. Johnson Collection, 1917) Giampietrino, Leda and the Swan, from the collection of the Marquis of Hastings; Giampietrino, Venus and Cupid, private collection, Milan
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Donate
This painting is from Dalí's Paranoiac-critical period. It contains one of Dalí's famous double images. The double images were a major part of Dalí's "paranoia-critical method", which he put forward in his 1935 essay "The Conquest of the Irrational".