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Performance poetry is not solely a postmodern phenomenon. It began with the performance of oral poems in pre-literate societies. By definition, these poems were transmitted orally from performer to performer and were constructed using devices such as repetition, alliteration, rhyme and kennings to facilitate memorization and recall.
The term "performance poetry," a precursor to slam poetry, is attributed to her. It originated in press releases for experimental spoken word and conceptual theater Gorski created during 1979. [ 1 ] She is a first-generation Polish American academic scholar and accomplished creative writer.
The originator of performance poetry, Hedwig Gorski, credits slam poetry for carrying on the poetics of ancient oral poetry designed to grab attention in barrooms and public squares. [ 22 ] Some poets are closely associated with the vocal delivery style found in hip-hop music and draw heavily on the tradition of dub poetry , a rhythmic and ...
The following is a partial list of performance poets This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items with reliable sources .
A movement originating ca. 1977 in American poetry advocating a return to traditional accentual-syllabic verse [139] [140] Dana Gioia, X.J. Kennedy, Brad Leithauser, Molly Peacock, Mary Jo Salter, Timothy Steele: Performance poetry: This is the lasting viral component of Spoken Word and one of the most popular forms of poetry in the 21st ...
Apples and Snakes was launched in 1982, [10] with its first poetry performance, at the Adam's Arms pub in Conway Street in central London. [11] It is currently one of the organisations resident at the Free Word Centre. [12] In 1984, it organised a poetry performance at Glastonbury Festival and at Elephant Fayre, Cornwall.
In 1998 he read his poems at The Old Operating Theatre and at the ICA and lectured on "Looking at Light" for the National Gallery of Wales. He created a performance with a pig in Belfast for Fix 98, and a performance with two horses for the 2nd International Festival of Experimental Art and Performance in Saint Petersburg.
Jerome Rothenberg was born and raised in New York City, the son of Polish-Jewish immigrant parents, [3] and is a descendant of the Talmudist rabbi Meir of Rothenburg. [4] He attended the City College of New York, graduating in 1952, and in 1953 he received a Master's Degree in Literature from the University of Michigan.