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"Aceh Mulia" (Jawoë: اچيه مليا) is the official regional anthem of the Indonesian province of Aceh. Written and composed by the Acehnese artist Mahrisal Rubi, "Aceh Mulia" was adopted as the anthem of Aceh [ 1 ] through Qanun No. 2 of 2018, which was ratified by the Aceh House of Representatives and the Government of Aceh on 28 ...
Aceh was first known as Aceh Darussalam (1511–1945). Upon its formation in 1956 it bore the name Aceh before being renamed to the Daerah Istimewa Aceh (Aceh Special Region; 1959–2001), Nanggroë Aceh Darussalam (2001–2009), and back to Aceh (2009–present). In the past it was also spelled as Acheh, Atjeh, and Achin. [15]
These two elements are key figures of Saman and are among the reasons Saman is widely known and practiced in Indonesia, besides being relatively easy to learn. On November 24, 2011, UNESCO officially recognized Aceh's traditional Saman dance as an Intangible Cultural Heritage in Need of Urgent Safeguarding. [2] [3] [4]
Indonesia is a country with many different tribes and ethnic groups, and its music is also very diverse, coming in hundreds of different forms and styles.Every region has its own culture and art, and as a result traditional music from area to area also uniquely differs from one another.
The Aneuk Jamee people are originally Minangkabau people who have migrated to Aceh in the 19th century, [2] and intermarried with the Acehnese people, Kluet people, Singkil people and Devayan people. In terms of language, the Anuek Jamee language is considered as a dialect of the Minangkabau language that has a mixture of Aceh 's native languages.
The province of Aceh in Indonesia is divided into regencies and cities, each of which in turn is divided administratively into districts (kecamatan).As of 2022, there are 289 districts in Aceh.
A nanggroë is led by a raja (monarch) or a wali (chief), who has the title Paduka Yang Mulia (lit. "Your Excellency"). However, since Aceh is led by a governor in the current Indonesian legal system, currently the Lembaga Wali Nanggroë is merely a ceremonial designation, kept as one of the symbols of Acehnese culture. [3]
The lyrics praise Indonesia's natural beauty, such as its floral-related double entendres, islands and beaches, and profess undying love for the country. [ 1 ] The song is a nostalgic favourite among Indonesian expatriates , particularly those who left the country for the Netherlands in the 1940s and 1950s, after independence.