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When the Indian Head nickel, or Buffalo nickel, was introduced in 1913, it became popular among coin engravers. The big Native American head was a radical departure from previous designs and would not be seen on any subsequent coins. The large, thick profile gave the artists a larger template to work on and allowed for finer detail.
The Buffalo nickel or Indian Head nickel is a copper–nickel five-cent piece that was struck by the United States Mint from 1913 to 1938. It was designed by sculptor James Earle Fraser . As part of a drive to beautify the coinage, five denominations of US coins had received new designs between 1907 and 1909.
The Indian Head cent, also known as an Indian Head penny, was a one-cent coin ($0.01) produced by the United States Bureau of the Mint from 1859 to 1909. It was designed by James Barton Longacre, the Chief Engraver at the Philadelphia Mint. From 1793 to 1857, the cent was a copper coin about the size of a half dollar.
North American Indian Jewelry and Adornment: From Prehistory to the Present. New York: Harry N. Abrams, 1999: 170-171. ISBN 0-8109-3689-5. Haley, James L. Apaches: a history and culture portrait. Norman: University of Oklahoma Press, 1997. ISBN 978-0-8061-2978-5. Karasik, Carol. The Turquoise Trail: Native American Jewelry and Culture of the ...
The Indian Head gold pieces or Pratt-Bigelow gold coins were two separate coin series, identical in design, struck by the United States Mint: a two-and-a-half-dollar piece, or quarter eagle, and a five-dollar coin, or half eagle. The quarter eagle was struck from 1908 to 1915 and from 1925–1929.
Buffalo hide painting of Pawnees battling the Villasur expedition. Traditionally, men painted representational art. [3] [6] They painted living things. [2]Plains Indian male artists use a system of pictographic signs, characterized by two-dimensionality, readily recognizable by other members of their tribe. [7]
The Indian Head eagle is a $10 gold piece or eagle that was struck by the United States Mint continuously from 1907 until 1916, and then irregularly until 1933. The obverse and reverse were designed by sculptor Augustus Saint-Gaudens , originally commissioned for use on other denominations.
Custer had initially become suspicious in 1875 as his men at Fort Lincoln were paying high prices for supplies, and then found out the sutler at the fort was being paid only $2,000 out of the tradership's $15,000 in profits. [18] Custer believed that the $13,000 difference went to partners in the tradership, or to Belknap himself. [18]