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The model is a Givenchy black Italian satin sheath evening gown. Christie's describes it as "a sleeveless, floor-length gown with fitted bodice embellished at the back with distinctive cut-out décolleté, the skirt slightly gathered at the waist and slit to the thigh on one side, labelled inside on the waistband Givenchy; accompanied by a pair of black elbow-length gloves". [9]
Sheath dress. In fashion, a sheath dress is a fitted, straight cut dress, often nipped at the waistline with no waist seam. [1] When constructing the dress, the bodice and skirt are joined together by combining the skirt darts into one dart: this aligns the skirt darts with the bodice waist dart. [2]
Many women aspired to simple black sheath dresses similar to the black Givenchy dress worn by Audrey Hepburn in the acclaimed film Breakfast at Tiffany's. The popularity of casual fabrics, especially knits, for dress and business wear during the 1980s brought the little black dress back into vogue.
The cowled-neck "monk dress" was another religion-inspired alternative; the cowl could be pulled up to be worn over the head. For evening wear, skimpy chiffon baby-doll dresses with spaghetti-straps were popular, as well as the "cocktail dress", which was a close-fitting sheath, usually covered in lace with matching long sleeves. [64]
James Mangold misses the era when movies weren’t embarrassed to make audiences feel something. The director of the Bob Dylan musical biopic “A Complete Unknown” and comic book adaptation ...
Also by Chanel, the celebrated little black dress came out in 1926. A straight sheath with 3/4 sleeves and no collar, the crêpe de Chine tube all in black (a color previously reserved for bereavement) was the perfect evocation of garçonne style, erasing the forms of the female body.