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An ornate guitar made by a Joakim Thielke (1641–1719) of Germany was altered in this way and became a success. From the mid-18th century through the early 19th century, the guitar evolved into a six-string instrument, phasing out courses by preference to single strings. These six-string guitars were still smaller than the modern classical guitar.
Keith Calmes (born March 1, 1966) is an American guitarist, educator, composer, and author. He has transcribed several works for Mel Bay Publications, including Guitar Music of the Sixteenth Century [1] and The Eight Masterpieces of Alonso Mudarra. [2]
[9] [10] [11] At first, commonly used tuning included courses in octaves, called a 'bordón' by the Spanish and a 'bourdon' by the French. In the end of the eighteenth century the south-French and Italians introduced guitars with five single strings, first by simply taking off the doubles (so called 'French guitar' — 'Chitarra Francese'). [12 ...
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Surviving sources indicate that there was a rich and varied musical soundscape in medieval Britain. [1] Historians usually distinguish between ecclesiastical music, designed for use in church, or in religious ceremonies, and secular music for use from royal and baronial courts, celebrations of some religious events, to public and private entertainments of the people. [1]
The romantic guitar eventually led to a different type of guitar in Spain: the fan-braced Spanish guitars of Torres, which may be seen as the immediate precursor of the modern classical guitar. In the 20th century, many non-guitarist composers wrote for the instrument, whereas previously only players of the instrument had done so. [1]
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A popular instrument with court musicians, minstrels, and amateurs, the gittern is considered an ancestor of the modern guitar and other instruments like the mandore, bandurria and gallichon. [3] [4] From the early 16th century, a vihuela-shaped (flat-backed) guitarra began to appear in Spain, and later in France, existing alongside the gittern ...