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One very basic form of Celtic or pseudo-Celtic linear knotwork. Stone Celtic crosses, such as this, are a major source of knowledge regarding Celtic knot design. Carpet page from Lindisfarne Gospels, showing knotwork detail. Almost all of the folios of the Book of Kells contain small illuminations like this decorated initial.
The triquetra is often used artistically as a design element when Celtic knotwork is used, especially in association with the modern Celtic nations. The triquetra, also known as a "Irish Trinity Knot", is often found as a design element in popular Irish jewelry such as claddaghs and other wedding or engagement rings.
Late Iron Age Celtic art or "Ultimate La Tène", gave the love of spirals, triskeles, circles and other geometric motifs. These were combined with animal forms probably mainly deriving from the Germanic version of the general Eurasian animal style, though also from Celtic art, where heads terminating scrolls were common.
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Late examples of the triple spiral symbols are found in Iron Age Europe, carved in rock in Castro Culture settlements in Galicia, Asturias, and Northern Portugal. The symbol took on new meaning to Irish Celtic Christians before the 5th century CE as a symbol of the Trinity .
Many works of Celtic art have been found in Wales. [53] In the Early Medieval period, the Celtic Christianity of Wales participated in the Insular art of the British Isles and a number of illuminated manuscripts possibly of Welsh origin survive, of which the 8th century Hereford Gospels [54] and Lichfield Gospels [55] are the most notable
Lacertines, most commonly found in Celtic, Anglo-Saxon, and Insular art, are interlaces created by zoomorphic forms. [ 1 ] [ 2 ] [ 3 ] While the term "lacertine" itself means "lizard-like," [ 4 ] its use to describe interlace is a 19th-century neologism and not limited to interlace of reptilian forms.
Celtic Revival jewellery become fashionable in the 1840s. [44] Utilising this trend, Waterhouse later placed the Tara Brooch as the centerpiece of his replica Celtic brooches in his Dublin shop, and exhibited it at the Great Exhibition of 1851 in London, the Great Industrial Exhibition of 1853 in Dublin, and Exposition Universelle of 1855 in Paris.