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Preliminary discourse on tragedy, epic poetry, and comedy, as the chief forms of imitative poetry. Definition of a tragedy, and the rules for its construction. Definition and analysis into qualitative parts. Rules for the construction of a tragedy: Tragic pleasure, or catharsis experienced by fear and pity should be produced in the spectator ...
Greek tragedy (Ancient Greek: τραγῳδία, romanized: tragōidía) is one of the three principal theatrical genres from Ancient Greece and Greek-inhabited Anatolia, along with comedy and the satyr play. It reached its most significant form in Athens in the 5th century BC, the works of which are sometimes called Attic tragedy.
Story structure is a way to organize the story's elements into a recognizable sequence. It has been shown to influence how the brain organizes information. [2] Story structures can vary culture to culture and throughout history. The same named story structure may also change over time as the culture also changes.
A tragedy is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character or cast of characters. [1] Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain [that] awakens pleasure,” for the audience.
Shakespearean tragedy is the designation given to most tragedies written by playwright William Shakespeare. Many of his history plays share the qualifiers of a Shakespearean tragedy, but because they are based on real figures throughout the history of England , they were classified as "histories" in the First Folio .
A tragedy is an event of great loss, usually of human life. Such an event is said to be tragic. Traditionally, the event would require "some element of moral failure, some flaw in character, or some extraordinary combination of elements" [1] to be tragic. Not every death is considered a tragedy.
Romantic tragedy features elegies mourning the death of heroes such as Arthur or Beowulf. High mimetic tragedy presents the death of a noble human such as Othello or Oedipus. Low mimetic tragedy shows the death or sacrifice of an ordinary human being and evokes pathos, as with Thomas Hardy's Tess or Henry James's Daisy Miller.
Tragedy, then is a process of imitating an action which has serious implications, is complete, and possesses magnitude. [17]... A poetic imitation, then, ought to be unified in the same way as a single imitation in any other mimetic field, by having a single object: since the plot is an imitation of an action, the latter ought to be both ...