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English: The last days of buddha teachings. From Hutchinson's story of the nations, containing the Egyptians, the Chinese, India, the Babylonian nation, the Hittites, the Assyrians, the Phoenicians and the Carthaginians, the Phrygians, the Lydians, and other nations of Asia Minor.
English: Buddha teaching Dharma, on lion throne, with mudra and mantra, stupas, schist, Chicago Art Institute, Chicago, Illinois, USA. The text around the head statesː Ye dharmā hetuprabhavā hetuṃ teṣāṃ tathāgataḥ hyavadat teṣāṃ ca yo nirodha evaṃ vādī mahāśramaṇaḥ so ha.
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The earliest Buddhist art is from the Mauryan era (322 BCE – 184 BCE), there is little archeological evidence for pre-Mauryan period symbolism. [6] Early Buddhist art (circa 2nd century BCE to 2nd century CE) is commonly (but not exclusively) aniconic (i.e. lacking an anthropomorphic image), and instead used various symbols to depict the Buddha.
The Buddha enters the chamber and begins meditating, the nāga then appears and angrily creates smoke. The Buddha responds by entering into a "fire-element" meditation and using his psychic powers to create his own smoke. [25] [26] The nāga then fills the chamber with fire, which the Buddha responds to by bursting into flames and becoming fire ...
Many people may be familiar with the "Happy" or "Laughing" Buddha, a different historical figure, who should not be confused with the images of Gautama Buddha. Budai , a Chinese Buddhist monk also known as Hotei , is depicted as fat and happy, almost always shown smiling or laughing, and is associated with Maitreya , the future Buddha.
This teaching about an easily accessible afterlife made Amitābha a popular Buddha in Gandhara, from where it spread Central Asia and East Asia. Regarding the Smaller Sukhāvatīvyūha Sūtra , this text primarily describes the various features of Sukhāvatī and further clarifies the methods of attaining rebirth there.
Narrative images of episodes from the life of Gautama Buddha in art have been intermittently an important part of Buddhist art, often grouped into cycles, sometimes rather large ones. However, at many times and places, images of the Buddha in art have been very largely single devotional images without narrative content from his life on Earth.