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It may allow selection of encoding parameters for each of the output file to optimize its quality and size. An audio converter uses at least two sets of audio codecs to decode the source file format and to encode the destination file. Audio converters include: AIMP; Audacity; Brasero; CDex; Exact Audio Copy; FFmpeg; FL Studio; foobar2000 ...
The audio coding standards MPEG-4 Low Delay , Enhanced Low Delay (AAC-ELD), and Enhanced Low Delay v2 (AAC-ELDv2) as defined in ISO/IEC 14496-3:2009 and ISO/IEC 14496-3:2009/Amd 3 are designed to combine the advantages of perceptual audio coding with the low delay necessary for two-way communication. They are closely derived from the MPEG-2 ...
For example, MP3 and AAC dominate the personal audio market in terms of market share, though many other formats are comparably well suited to fill this role from a purely technical standpoint. First public release date is first of either specification publishing or source releasing, or in the case of closed-specification, closed-source codecs ...
The quality the codec can achieve is heavily based on the compression format the codec uses. A codec is not a format, and there may be multiple codecs that implement the same compression specification – for example, MPEG-1 codecs typically do not achieve quality/size ratio comparable to codecs that implement the more modern H.264 specification.
High-Efficiency Advanced Audio Coding (HE-AAC) is an audio coding format for lossy data compression of digital audio defined as an MPEG-4 Audio profile in ISO/IEC 14496–3. It is an extension of Low Complexity AAC (AAC-LC) optimized for low- bitrate applications such as streaming audio .
Possible bitrate and latency combinations compared with other audio formats. Opus supports constant and variable bitrate encoding from 6 kbit/s to 510 kbit/s (or up to 256 kbit/s per channel for multi-channel tracks), frame sizes from 2.5 ms to 60 ms, and five sampling rates from 8 kHz (with 4 kHz bandwidth) to 48 kHz (with 20 kHz bandwidth, the human hearing range).