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The Aziza (African) are a type of beneficent supernatural race in West African (specifically, Dahomey) mythology. Living in the forest, they provide good magic for hunters. They are also known to have given practical and spiritual knowledge to people (including knowledge of the use of fire ).
Dogeza (土下座) is an element of traditional Japanese etiquette which involves kneeling directly on the ground and bowing to prostrate oneself while touching one's head to the floor. [ 1 ] [ 2 ] [ 3 ] It is used to show deference to a person of higher status, as a deep apology or to express the desire for a favor from said person.
The following glossary of words and terms (generally of Japanese origin) are related to owarai (Japanese comedy). Many of these terms may be used in areas of Japanese culture beyond comedy, including television and radio, music. Some have been incorporated into normal Japanese speech.
The Japanese "national character" has been written about under the term Nihonjinron, literally meaning 'theories/discussions about the Japanese people' and referring to texts on matters that are normally the concerns of sociology, psychology, history, linguistics, and philosophy, but emphasizing the authors' assumptions or perceptions of ...
' butterfly ') – Butterflies native to Japan and to Japanese culture. The chōchō is also featured among engimono (above).It is seen as lucky, especially if seen in pairs; if a symbol contains two butterflies dancing around each other, it is a symbol of marital happiness.
Japanese commonly use proverbs, often citing just the first part of common phrases for brevity. For example, one might say i no naka no kawazu (井の中の蛙, 'a frog in a well') to refer to the proverb i no naka no kawazu, taikai o shirazu (井の中の蛙、大海を知らず, 'a frog in a well cannot conceive of the ocean').
Aziz Ansari (born 1983), Indian-American stand-up comedian and actor.; Aziz Atakhodjaev (born 1986), Uzbekistani para-cyclist; Aziz Azion (born 1984), Ugandan R&B singer-songwriter.
The second section, titled "The Male Domain", starts with an essay by Tom Gill discussing cultural narratives of superheroes across Japanese history. [5] Bill Kelly proposes an argument for the popularity of karaoke in Japanese culture, and Isolde Standish's chapter draws comparison between the anime film Akira (1988) and bōsōzoku culture. [6]