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The I–V–vi–IV progression, also known as the four-chord progression is a common chord progression popular across several genres of music. It uses the I, V, vi, and IV chords of a musical scale. For example, in the key of C major, this progression would be C–G–Am–F. [1] Rotations include: I–V–vi–IV : C–G–Am–F
0 7 9 1 4: Bitonal Farben chord: Play ... 0 4 7 t 1 x 9 [7] Major Thirteenth flat ninth flat fifth chord [2] Play ...
The dominant 7 ♯ 11 or Lydian dominant (C 7 ♯ 11) comprises the notes: . r, 3, (5), ♭ 7, (9), ♯ 11, (13) (Note that in jazz lead sheet notation, upper extensions (intervals beyond the 7th) aren't named unless they are altered; alternatively, when including the 9th and 13th this chord could be called a C 13 ♯ 11.)
Peggy Jones (later Malone, July 19, 1940 – September 16, 2015), known on stage as Lady Bo in recognition of her relationship with Bo Diddley, was an American musician.A pioneer of rock and roll, Jones played rhythm guitar in Bo Diddley's band in the late 1950s and early 1960s, becoming one of the first (perhaps the first) female rock guitarists in a highly visible rock band, and was ...
Krzysztof Penderecki wrote his Seventh Symphony, subtitled "Seven Gates of Jerusalem", in 1996 to commemorate the third millennium of the city of Jerusalem.Originally conceived as an oratorio, this choral symphony was premièred in Jerusalem in January 1997; it was only after the first Polish performance two months later that Penderecki decided to call it a symphony.
Red Clydeside was the era of political radicalism in Glasgow, Scotland, and areas around the city, on the banks of the River Clyde, such as Clydebank, Greenock, Dumbarton and Paisley, from the 1910s until the early 1930s.
In jazz music, on the other hand, such chords are extremely common, and in this setting the mystic chord can be viewed simply as a C 13 ♯ 11 chord with the fifth omitted. In the score to the right is an example of a Duke Ellington composition that uses a different voicing of this chord at the end of the second bar, played on E (E 13 ♯ 11).
The Dapper Dans barbershop quartet, at Disneyland's Main Street, USA WPA poster, 1936. Barbershop vocal harmony is a style of a cappella close harmony, or unaccompanied vocal music, characterized by consonant four-part chords for every melody note in a primarily homorhythmic texture.