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The Musée Matisse in Nice, a municipal museum, has one of the world's largest collections of Matisse's works, tracing his artistic beginnings and his evolution through to his last works. The museum, which opened in 1963, is located in the Villa des Arènes, a seventeenth-century villa in the neighbourhood of Cimiez.
Also note that this image may not be in the public domain in the 9th Circuit if it was first published on or after July 1, 1909 in noncompliance with US formalities, unless the author is known to have died in 1954 or earlier (more than 70 years ago) or the work was created in 1904 or earlier (more than 120 years ago.)
File: Henri Matisse, 1916, Still Life with Gourds (Nature morte aux coloquintes), oil on canvas, 100 x 81.3 cm, Barnes Foundation.jpg
Paysage marocain (Acanthes), also known as Moroccan Landscape (Acanthus), is an oil painting from 1912 by the French artist Henri Matisse. The painting is signed "Henri Matisse" in the lower left corner and has been in the collection of the Moderna museet in Stockholm since 1917. [1] Matisse spent the winter of 1911 and 1912 in Morocco ...
This is an incomplete list of works by the French modern artist Henri Matisse (31 December 1869 – 3 November 1954). He is admired for his use of color and his fluid, brilliant and original draughtsmanship. He was a Master draughtsman, printmaker, and sculptor, but is known primarily as a painter.
File information Description Henri Matisse, 1904, Luxe, Calme et Volupté ("Luxury, Calm and Pleasure"), oil on canvas, 98 x 118.5 cm, Musée d'Orsay, Paris (Detail, lower center) Source Photographed by Coldcreation. Date 1904 Author Henri Matisse. Permission (Reusing this file) See below. Other versions
The Back Series is a series of four bas-relief sculptures, by Henri Matisse. They are Matisse's largest and most monumental sculptures. The plaster originals are housed in the Musée Matisse in Le Cateau-Cambrésis, France. They were modeled between 1909 and 1930.
Matisse worked on it during portions of 1910, 1913, and 1916 before finishing it in 1917. Stephanie D’Alessandro, curator of modern art at the Art Institute of Chicago, as said that there exists, "good anecdotal history that this picture was related to the two others, Dance II and Music , that were part of the original Shchukin commission."