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Balduugiin "Marzan" Sharav (1869 – 1939, Mongolian: Балдугийн 'Марзан' Шарав; marzan = facetious), was a Mongolian painter.. He is often credited with the introduction of modern painting styles to Mongolia, but his most famous work, One day in Mongolia (Mongolian: Mongolyn neg ödör), is done in a more traditional zurag style.
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Mongol zurag (Mongolian: Mонгол зураг, Mongol painting) is a style of painting in Mongolian art. Developed in the early 20th century, zurag is characterised by the depiction of secular, nationalist themes in a traditional mineral-paint–on–cotton medium similar to Tibetan thangka .
The National Art Gallery of Mongolia (Mongolian: Монголын Уран Зургийн Галерей) is a government-supported art gallery in Sükhbaatar District, Ulaanbaatar, Mongolia. It exhibits Mongolian modern art. [1] There are about 4200 pieces in the museum's permanent collection, with only 7-8% being on display.
Uranchimeg (Orna) Tsultem is a scholar of the art and culture of Mongolia.She has served as a curator of Mongolian art at the international level since 1997. Her curated exhibits have been shown at Kasumi Tsukuba Center in Tsukuba, Japan, Frauen Museum in Bonn, Germany, E&J Frankel Gallery in New York City, Worth Ryder Gallery and Institute of East Asian Studies at University of California ...
This type of book cover was developed in Beijing for Tibetan and Mongolian manuscripts and is sometimes also found among block print bindings. This example is one of the Mahayana Sutras (Yeke kölgen sudur): the popular and widespread Vajracchedikā , one of the Prajñāpāramitā texts.
Gantuya Badamgarav (Mongolian: Бадамгаравын Гантуяа) is a Mongolian art curator and the founder of Art Space 976+. She is the first ever organizer and commissioner of Mongolia Pavilion at La Biennale di Venezia. [1]