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Reviewer Jim Brenholts called it "one of the darkest and most sinister Tibetan bowl CDs ever," and commented: "This is deep and moving music. Deep listeners will venture into the clutches of Yamantaka. The sinister textures and timbres force listeners to examine the darker sides of their psyches. This is an absolutely essential album." [1]
Tibetan Bells is a 1972 album by Henry Wolff and Nancy Hennings. It was the first recording to use Tibetan bells and singing bowls , [ 2 ] and helped establish some of the fundamentals of new-age music .
Monks playing dungchen, Tibetan long trumpets, from the roof of the Medical College, Lhasa, 1938 Street musician playing a dramyin, Shigatse, Tibet, 1993. The music of Tibet reflects the cultural heritage of the trans-Himalayan region centered in Tibet, but also known wherever ethnic Tibetan groups are found in Nepal, Bhutan, India and further abroad.
Tibetan singing bowl used at a live performance of Longplayer. Longplayer is based on an existing piece of music, 20 minutes and 20 seconds in length, which is processed by computer using a simple algorithm. This gives a large number of variations, which, when played consecutively, gives a total expected runtime of 1000 years.
Standing bells are known by a wide variety of terms in English, and are sometimes referred to as bowls, basins, cups or gongs. Specific terms include resting bell, [1] prayer bowl, [2] Buddha bowl, [3] Himalayan bowl, [4] Tibetan bell, [4] rin gong, [2] bowl gong [3] and cup gong. [2]
These three albums reissued by Rounder as Anthology of World Music: Music of Tibetan Buddhism, CD 5129/5130/5131. [7] Review by Wei Li in Yearbook for Traditional Music 32 (2000), pp. 239-241, JSTOR 3185295; review by Adam Greenberg on Allmusic, .