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In literature, the paradox is an anomalous juxtaposition of incongruous ideas for the sake of striking exposition or unexpected insight. It functions as a method of literary composition and analysis that involves examining apparently contradictory statements and drawing conclusions either to reconcile them or to explain their presence.
The Well Wrought Urn: Studies in the Structure of Poetry is a 1947 collection of essays by Cleanth Brooks. It is considered a seminal text [1] in the New Critical school of literary criticism. The title contains an allusion to the fourth stanza of John Donne's poem, "The Canonization", which is the primary subject of the first chapter of the book.
The Heresy of Paraphrase" is the name of the paradox where it is impossible to paraphrase a poem because paraphrasing a poem removes its form, which is an integral part of its meaning. Its name comes from a chapter by the same name in Cleanth Brooks 's book The Well-Wrought Urn .
Jennifer Michael Hecht (born November 23, 1965) is a teacher, author, poet, historian, and philosopher. She was an associate professor of history at Nassau Community College (1994–2007) and most recently taught at The New School in New York City.
On October 16, 1906, in Murray, Kentucky, Brooks was born to a Methodist minister, the Reverend Cleanth Brooks Sr., and Bessie Lee Witherspoon Brooks (Leitch 2001). He was one of three children: Cleanth and William, natural born sons, and Murray Brooks, actually born Hewitt Witherspoon, whom Bessie Lee Witherspoon kidnapped from her brother Forrest Bedford Witherspoon as a young baby after the ...
A writer learning the craft of poetry might use the tools of poetry analysis to expand and strengthen their own mastery. [4] A reader might use the tools and techniques of poetry analysis in order to discern all that the work has to offer, and thereby gain a fuller, more rewarding appreciation of the poem. [5]
In 1990 Dutch composer Jurriaan Andriessen set the poem to a mixed chamber choir setting. Rufus Wainwright's "Sonnet 43", the sixth track on his album All Days Are Nights: Songs for Lulu (2010), is a musical setting of the sonnet. In 2004 Flemish composer Ludo Claesen set this poem to a setting for chamber music (flute, piano and soprano-solo).
It is, in short, an invention of the twentieth century and applied anachronistically to classical poetry and prose. [ 3 ] The German term Priamel (from Latin praeambulum [ 4 ] ) was introduced to classical studies by the German philologist Franz Dornseiff in his Pindars Stil (1921); [ 5 ] it originally referred to "a minor poetic genre composed ...