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Sometimes cross-stitch is done on designs printed on the fabric (stamped cross-stitch); the stitcher simply stitches over the printed pattern. [2] Cross-stitch is often executed on easily countable fabric called aida cloth, [3] whose weave creates a plainly visible grid of squares with holes for the needle at each corner. Fabrics used in cross ...
Samplers were mainly school exercises or mourning samplers [21] during the 18th and 19th centuries, and were almost entirely worked in cross stitch. Design styles were increasingly influenced by Berlin woolwork which became popular worldwide, due to the availability of patterns, initially emanating from Berlin, Germany.
Canvas work in cross stitch became popular again in the mid-19th century with the Berlin wool work craze. Herringbone, fishbone, Van Dyke, and related crossed stitches are used in crewel embroidery, especially to add texture to stems, leaves, and similar objects. Basic cross stitch is used to fill backgrounds in Assisi work. [3]
Blind stitch (or hemstitch) – type of slip stitch used for inconspicuous hem; Buttonhole stitch – for reinforcing buttonholes and preventing cut fabric from raveling; Chain stitch – hand or machine stitch for seams or decoration; Cross-stitch – usually used for decoration, but may also be used for seams
Counted cross-stitch embroidery, Hungary, mid-20th century. Counted-thread embroidery is any embroidery in which the number of warp and weft yarns in a fabric are methodically counted for each stitch, resulting in uniform-length stitches and a precise, uniform embroidery pattern. [1]
In the oldest pieces, the figures were drawn freehand on the fabric and surrounded with Holbein stitch. The background, often cream linen, [2] was filled as well as possible. For more modern pieces the pattern was constructed carefully on a paper grid in much the same way as counted cross-stitch patterns are created.