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One of several songs that Bowie wrote about Orwell's Nineteen Eighty-Four; Bowie had also hoped to produce a televised musical based on the book. [31] "2112" 2112: Rush: Anthem: Ayn Rand: Song shares themes with the novel, such that Neil Peart recognized Rand in the album's liner notes. [32] "Abigail" Creatures: Motionless in White: The ...
The song starts with the words "oh oh", which repeat after every sentence of the verses. [34] [35] The song contains a total of 18 4-note millennial whoops, a vocal melody repeating on the fifth and third notes in a major scale. [36] Some critics noted a contrast between the track's lyrics and production.
The song was then recorded at Columbia Studios in New York on October 23 and 24; [6] the latter session yielding the version that became the title song of Dylan's third album. [7] The a-in the song title is an archaic intensifying prefix, as in the British songs "A-Hunting We Will Go" and "Here We Come a-Wassailing", from the 18th and 19th century.
"Over You" 2009 Honor Society: Fashionably Late: Writer, producer "My Own Way" "Sing For You" Writer "Rock With You" "Stop The World" Demi Lovato: Here We Go Again: Writer "Love Is On Its Way" Jonas Brothers: Music from the 3D Concert Experience: Writer "World War III" Lines, Vines and Trying Times: Writer "Paranoid" "Fly with Me" "Poison Ivy ...
The song is in three sections, exactly reflecting the form of Goethe's poem. [3] On the other hand, Schubert contradicts Gretchen's return to composure in the last three stanzas by obsessively repeating her words to create a second climax on the highest note of the song.
Authenticity, fearlessness, and unapologetic attitudes—if these are the themes for the season, then these breakout artists are setting the tone. Pretenses and pleasantries fall away in favor of ...
"Fifteen" is 4 minutes and 55 seconds long. [13] It is a country pop [14] [15] ballad. [16] Driven by a mandolin, [17] it concludes with an outro where Swift sings, "la la la." [18] Critics said that "Fifteen" has a prominent pop production; [19] Larry Rodgers of The Arizona Republic described it as "roots pop", [20] and John Terauds of the Toronto Star deemed it guitar pop. [21]
"Hella Good" is a song by American rock band No Doubt from their fifth studio album, Rock Steady (2001). Written by Gwen Stefani, Tony Kanal and the Neptunes (Pharrell Williams and Chad Hugo), and produced by Nellee Hooper and the band, "Hella Good" was released as the album's second single on March 11, 2002, and received positive reviews from contemporary music critics, who made comparisons ...