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Rapa Nui tattoo tools, Manchester Museum. Tattoos, as well as other forms of art in Rapa Nui, blends anthropomorphic and zoomorphic imagery. [3] The most common symbols represented were of the Make-Make god, Moais, Komari (the symbol of female fertility), the manutara, and other forms of birds, fish, turtles or figures from the Rongo Rongo ...
Her face featured geometric stripes on her forehead and an adze-like design on her cheek, and her back was decorated with the ao motif, which symbolised a paddle. [1] [2]:35-6. The tattoos of the Rapa Nui people were a subject of research by European colonisers, and Viriamo's body art was recorded by several people.
Ana Eva Hei, also Uka ʻa Hei ʻa ʻArero, or Reina Eva (Queen Eva) (c.1849 – c.1949 [1]), was the consort of the penultimate ruler of Rapa Nui, Atamu Tekena. She was one of the last surviving Rapa Nui people to have been tattooed using traditional practices. [2] Ana Eva Hei, portrait view by Walter Knoche, 1911
The most famous Polynesian art forms are the Moai (statues) of Rapa Nui/Easter Island. Polynesian art is characteristically ornate, and often meant to contain supernatural power or mana. [15] Polynesian works of art were thought to contain spiritual power and could effect change in the world. [16]
An Inuit woman from Bernard Harbour showing her hand tattoo. Kakiniq (singular) or kakiniit (plural) [2] is an Inuktitut term which refers to Inuit tattoos, [3] while the term tunniit specifically refers to women's facial tattoos.
Seven countries, an ocean and over a thousand miles stand between them and their dreams for a future
The Rapa Nui (Rapa Nui: [ˈɾapa ˈnu.i], Spanish: [ˈrapa ˈnu.i]) are the indigenous Polynesian peoples of Easter Island.The easternmost Polynesian culture, the descendants of the original people of Easter Island make up about 60% of the current Easter Island population and have a significant portion of their population residing in mainland Chile.
Painting by Gottfried Lindauer of a moko being carved into a man's face by a tohunga-tā-moko (tattooist) A collection of kōrere (feeding funnels). Historically the skin was carved by uhi [6] (chisels), rather than punctured as in common contemporary tattooing; this left the skin with grooves rather than a smooth surface.