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Many blues songs were developed in American folk music traditions and individual songwriters are sometimes unidentified. [1] Blues historian Gerard Herzhaft noted: In the case of very old blues songs, there is the constant recourse to oral tradition that conveyed the tune and even the song itself while at the same time evolving for several decades.
There are conflicting explanations regarding the origins of the term "Tin Pan Alley". The most popular account holds that it was originally a derogatory reference made by Monroe H. Rosenfeld in the New York Herald to the collective sound made by many "cheap upright pianos" all playing different tunes being reminiscent of the banging of tin pans in an alleyway.
Classic pop includes the song output of the Broadway, Tin Pan Alley, and Hollywood show tune writers from approximately World War I to the 1950s, such as Irving Berlin, Frederick Loewe, Victor Herbert, Harry Warren, Harold Arlen, Jerome Kern, George Gershwin and Ira Gershwin, Richard Rodgers and Lorenz Hart, Oscar Hammerstein, Johnny Mercer, Dorothy Fields, Hoagy Carmichael, and Cole Porter.
The Hanging Tree (The Hunger Games song) Happier (Olivia Rodrigo song) Happy Birthday to You; Hard Tack Come Again No More; Hark, from the Tomb; He Was a Friend of Mine; Hell on the Wabash; John Henry (folklore) Here's your mule; Home (Sheryl Crow song) Home on the Range; House of Gold (Twenty One Pilots song) The House of the Rising Sun
The Poets of Tin Pan Alley: A History of America's Great Lyricists. Oxford University Press US. ISBN 0-19-507473-4. Furia, Philip; Lasser, Michael L. (2006). America's Songs: The Stories Behind the Songs of Broadway, Hollywood, and Tin Pan Alley. CRC Press. ISBN 0-415-97246-9. Giddins, Gary (2000). Visions of Jazz: The First Century. Oxford ...
This category contains folk songs which originated in England. For a comprehensive list of 25,000 traditional English language songs, see List of folk songs by Roud number . Contents
The English Folk Dance and Song Society (EFDSS) listed 187,800 records in the growing Folksong database as at October 2012 (which total includes all of the songs in the Broadside database that have 'traditional' origins). [1] The purpose of the index is to give each song a unique identifying number.
The first volume consists of ballads including many American versions of Child Ballads taken from the English folk tradition. Each song tells a story about a specific event or time, and Smith may have made some effort to organize them to suggest a historical narrative, a theory suggested by the fact that many of the first songs in this volume ...