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In the 1920s, women singing jazz music were not many, but women playing instruments in jazz music were even less common. Mary Lou Williams, known for her talent as a piano player, is deemed as one of the "mothers of jazz" due to her singing while playing the piano at the same time. [4] Lovie Austin (1887–1972) was a piano player and bandleader.
Hazel Dorothy Scott (June 11, 1920 – October 2, 1981) was a Trinidadian jazz and classical pianist and singer. She was an outspoken critic of racial discrimination and segregation. She used her influence to improve the representation of Black Americans in film. [1] Born in Port of Spain, Scott moved to New York City with her mother at the age ...
On February 14, 1920, Smith recorded "That Thing Called Love" and "You Can't Keep a Good Man Down" for the Okeh label in New York City, [5] after African-American songwriter and bandleader Perry Bradford persuaded Fred Hager to break the color barrier in black music recording. [6] Okeh Records recorded many iconic songs by black musicians.
Bessie Smith (April 15, 1894 – September 26, 1937) was an African-American blues singer widely renowned during the Jazz Age.Nicknamed the "Empress of the Blues", she was the most popular female blues singer of the 1930s.
Baker, c. 1908 Josephine Baker was born Freda Josephine McDonald in St. Louis, Missouri. [11] [14] [15] Baker's ancestry is unknown—her mother, Carrie, was adopted in Little Rock, Arkansas, in 1886 by Richard and Elvira McDonald, both of whom were former slaves of African and Native American descent. [11]
Jazz historian Rosetta Reitz pointed out that by the time Waters returned to Harlem in 1921, women blues singers were among the most powerful entertainers in the country. In 1921, Waters became the fifth black woman to make a record, for tiny Cardinal Records. She later joined Black Swan, where Fletcher Henderson was her accompanist. Waters ...
Pages in category "American women jazz singers" The following 200 pages are in this category, out of approximately 429 total. This list may not reflect recent changes .
In the year 1922, when she was 18 years old she gained national recognition, leading her to travel all over the U.S. to perform as a dancer, musician (Trumpet player), and singer. The following year, Valaida appeared in the black musical Ramblin Round. In the year 1923, she also appeared in Will Mastin’s Follow Me revue.