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"Locomotive Breath" was released on Jethro Tull's 1971 album Aqualung in 1971. An edit of the song was released in the US as a single in 1971, backed with "Wind-Up", though it did not chart. A 1976 single release of the song, backed with "Fat Man", was more successful, reaching number 59 on the Billboard charts [8] and number 85 in Canada. [9]
The song was written by the band's frontman, Ian Anderson, and his then-wife Jennie Franks. While this track was never a single, its self-titled album Aqualung was Jethro Tull's first American Top 10 album, reaching number seven in June 1971. [4] After "Locomotive Breath", it is the song most often played in concert by Jethro Tull. [5]
The songs on the album encompass a variety of musical genres, with elements of folk, blues, psychedelia, and hard rock. [11] The "riff-heavy" nature of tracks such as "Locomotive Breath", "Hymn 43" and "Wind Up" is regarded as a factor in the band's increased success after the release of the album, with Jethro Tull becoming "a major arena act" and a "fixture on FM radio" according to AllMusic.
"295" peaked at the 62nd position in the Canadian Hot 100 and 37th in the New Zealand Hot 40 Singles chart. In June 2022, following Moose Wala's death, "295" reached 154th in the Billboard Global 200 [4] and 73rd in the Billboard Global Excl. US. [5] It was the first Punjabi artist that entered the Billboard Global 200. [1]
Differences in the song selections between the US and the UK editions of the album resulted in different track listings for the various CD releases. Most CDs had to further alter the track listings, due to time constraints as CDs at the time could only hold up to 74 minutes of music.
Swift starts the song with the chorus that immediately makes her distaste for the subject of the song clear. “‘Cause, baby, now we got bad blood/ You know it used to be mad love/ So take a ...
Louder magazine praised the song for "providing the light relief" on the album, amongst songs like "Locomotive Breath" and the title track. [8] Anderson made a similar point in an interview, noting the combination of the "amusing surreal moments" of acoustic songs like "Mother Goose" and "Up to Me" balanced with the album's more "dramatic ...
"The song is kind of about seeing femininity as your super power, and embracing the confidence of being that b----," she said. Carpenter chose a summer vibe for the music video, which is filled ...