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Artemisia Lomi or Artemisia Gentileschi (US: / ˌ dʒ ɛ n t i ˈ l ɛ s k i /; [1] [2] Italian: [arteˈmiːzja dʒentiˈleski]; 8 July 1593 – c. 1656) was an Italian Baroque painter. Gentileschi is considered among the most accomplished 17th-century artists, initially working in the style of Caravaggio .
Judith and her Maidservant with the Head of Holofernes is a painting by the Italian artist Artemisia Gentileschi, created in 1639-1640.It was one of many paintings by Gentileschi that treats the theme of Judith, who beheads the Assyrian general Holofernes, who was planning to destroy Judith's home city of Bethulia.
Saint Catherine of Alexandra is a painting by the Italian Baroque artist Artemisia Gentileschi.It is in the collection of the Uffizi, Florence. [1] Gentileschi likely used the same cartoon or preparatory drawing to create both this painting and the Self-Portrait as Saint Catherine of Alexandria (1615–1617), now in the National Gallery, London.
Her life is pieced together in the Getty's 'Artemisia Gentileschi' biography — part of a series on women artists of the Renaissance and Baroque eras.
Artemisia Gentileschi was around twenty years of age when she painted Judith Slaying Holofernes. Previously, Gentileschi had also completed Susanna and the Elders and Madonna and Child. These artworks already give an indication of Gentileschi's skill in representing body movement and facial expressions to express emotions. X-rays undertaken on ...
It was painted during Gentileschi's time in Florence, [3] and is similar to her Saint Catherine of Alexandria (c. 1619), now in the Uffizi Gallery. It is one of several paintings of female martyrs that Gentileschi made after her famous 1612 rape trial, in which she (unlike the accused) was subject to torture to test the veracity of her ...
Gentileschi was one of many artists who used Judith as a prominent and recurring subject throughout the Baroque period. In fact, Orazio Gentileschi, Artemisia Gentileschi's father, painted Judith and Her Maidservant with the Head of Holofernes c. 1610. Both artists assign the scene with a sense of urgency by choosing moments within the story ...
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