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A camera's angle of view can be measured horizontally, vertically, or diagonally. In photography, angle of view (AOV) [1] describes the angular extent of a given scene that is imaged by a camera. It is used interchangeably with the more general term field of view.
Angular field of view is typically specified in degrees, while linear field of view is a ratio of lengths. For example, binoculars with a 5.8 degree (angular) field of view might be advertised as having a (linear) field of view of 102 mm per meter. As long as the FOV is less than about 10 degrees or so, the following approximation formulas ...
The resulting images from 50 mm and 70 mm lenses for different sensor sizes; 36x24 mm (red) and 24x18 mm (blue) In photography, the 35 mm equivalent focal length is a measure of the angle of view for a particular combination of a camera lens and film or image sensor size.
The image sensor format of a digital camera determines the angle of view of a particular lens when used with a particular sensor. Because the image sensors in many digital cameras are smaller than the 24 mm × 36 mm image area of full-frame 35 mm cameras, a lens of a given focal length gives a narrower field of view in such cameras.
The depth of field of an image produced at a given f-number is dependent on other parameters as well, including the focal length, the subject distance, and the format of the film or sensor used to capture the image. Depth of field can be described as depending on just angle of view, subject distance, and entrance pupil diameter (as in von Rohr ...
Simulation showing how adjusting the angle of view of a camera, while varying the camera's distance and keeping the object in frame, results in vastly differing images. At narrow angles and long distances, light rays are nearly parallel, resulting in a "flattened" image. At wide angles and short distances, objects appear foreshortened or distorted.
The frame size is needed to calculate the angle of view. A still 35mm film camera has a VERY different frame size than a 35mm motion picture camera (normal, not vistavision). In a still camera, the film moves sideways and in motion picture cameras, the film moves vertically. That is why there is a vast difference in the size of the frame.
For example, a 28 mm lens delivers a moderately wide-angle FOV on a 35 mm format full-frame camera, but on a camera with a 1.6 crop factor, an image made with the same lens will have the same field of view that a full-frame camera would make with a ~45 mm lens (28 × 1.6 = 44.8). This narrowing of the FOV is a disadvantage to photographers when ...