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Religious images in Christian theology have a role within the liturgical and devotional life of adherents of certain Christian denominations. The use of religious images has often been a contentious issue in Christian history. Concern over idolatry is the driving force behind the various traditions of aniconism in Christianity.
A religious image is a work of visual art that is representational and has a religious purpose, subject or connection. All major historical religions have made some use of religious images, although their use is strictly controlled and often controversial in many religions, especially Abrahamic ones.
Judeo-Christian – a term used by many Christians since the 1950s to encompass perceived common ethical values based on Christianity and Judaism. Justitia civilis or "things external" is defined by Christian theologians as the class of acts in which fallen man retains his ability to perform both good and evil moral acts.
"It Is Well With My Soul", also known as "When Peace, Like A River", is a hymn penned by hymnist Horatio Spafford and composed by Philip Bliss.First published in Gospel Hymns No. 2 by Ira Sankey and Bliss (1876), it is possibly the most influential and enduring in the Bliss repertoire and is often taken as a choral model, appearing in hymnals of a wide variety of Christian fellowships.
Christian website images (10 F) Images of churches (6 F) J. Jesus in art (6 C, 38 P, 6 F) L. Left Behind images (15 F) Media in category "Christian images"
Media in category "Spiritual and religious images" The following 2 files are in this category, out of 2 total. Christian-Trinity-vs-Quran.png 391 × 600; 24 KB.
Believers assert that the healing of disease and disability can be brought about by religious faith through prayer or other rituals that, according to adherents, can stimulate a divine presence and power. Religious belief in divine intervention does not depend on empirical evidence of an evidence-based outcome achieved via faith healing. [2]
Such images functioned as powerful relics as well as icons, and their images were naturally seen as authoritative as to the true appearance of the subject: naturally and especially because of the reluctance to accept mere human productions as embodying anything of the divine, a commonplace of Christian deprecation of man-made "idols". Like ...