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Dave Catching – bass (tracks 1 and 3), electronic piano (track 2), guitar (track 6), engineering assistance; Ben Shepherd – bass (tracks 2, 6 and 7) Alfredo Hernández – drums (tracks 1, 3 and 7) The Reverend Ponce Jones – vocals (tracks 4 and 5) Brant Bjork – drums (track 7) Pete Stahl – vocals (track 7) Additional personnel
A double album of 18 songs, it is presented in four chapters with several musical styles being used throughout, including dream pop, neo-psychedelia and chamber pop. Once Twice Melody received universal acclaim by music critics upon release, and debuted at number 12 on the US Billboard 200 chart, with 24,000 album-equivalent units .
The song was produced by Brian Malouf and co-produced by McGorman and Vallier. Malouf mixed the track at Cookie Jar Recording, located in Sherman Oaks, California and Chris Thompson engineered the track. In the track, Malouf and McGorman played keyboards and Marc Slutsky play drums. McGorman also play acoustic guitar, electric guitar, bass and ...
Somewhere in the Middle is Jason Boland & The Stragglers's fourth album. It was released in September 2004. It is the first album by the band to be produced by Lloyd Maines. The song "Thunderbird Wine" is a cover of the Billy Joe Shaver song featured on the 1981 album I'm Just An Old Chunk Of Coal. The album itself is dedicated to Shaver ...
"The Middle" was the most played song on radio in Canada in 2002. [11] Pitchfork Media named the track number 165 on its list of the top 500 tracks of the 2000s. Reviewer Mark Richardson wrote of the track: "And if your band delivers that message of hope with the kind of power-pop chorus hook that gives the best couple of Weezer songs a run for ...
"Stuck in the Middle with You" (sometimes known as "Stuck in the Middle") is a song written by Scottish musicians Gerry Rafferty and Joe Egan and performed by their band Stealers Wheel. The band performed the song on the BBC's Top of the Pops in May 1973, and the song charted at No. 8 in the UK Singles Chart .
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Co-producer Daniel Lanois said the recorded version of the song was essentially a live take performed by the band with him and Eno. On guitar, Lanois played "the harmony to The Edge's part". The Edge achieved a clean guitar tone by plugging his 1950s Fender Stratocaster guitar directly into a Fender Bassman amplifier. [3]