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Janet Maslin (The New York Times) Harold McCarthy; Todd McCarthy (Variety, The Hollywood Reporter) Michael Medved (New York Post, Sneak Previews) Nell Minow (rogerebert.com and moviedom.com) Elvis Mitchell (The New York Times, Fort Worth Star-Telegram, Los Angeles Herald Examiner, The Detroit Free Press) Khalid Mohammed (Hindustan Times) Joe ...
Wesley Morris (born 1975) [2] is an American film critic and podcast host. He is currently critic-at-large for The New York Times, [3] as well as co-host, with J Wortham, of the New York Times podcast Still Processing.
The film received mixed reviews from critics. Bosley Crowther of The New York Times called the film "a light-weight story of mistaken identities which brushes quickly over the more intriguing implications of bedroom farce and relies in the main for its humors upon familiar low-comedy mugging and anachronistic gags. Some of them are funny—the ...
[16] Manohla Dargis of the New York Times Movie Review, however, criticized the film as "clichéd" and "sluggish even at 87 minutes." [17] On Metacritic, which assigns a rating out of 100 based on reviews from critics, the film has a score of 50 based on 23 reviews, considered to be "mixed or average reviews". [18]
The contemporary The New York Times film critic wrote, "The Crooked Way races along as a melodrama should and it has more than enough plot to keep its hard-working actors going from one dangerous situation to another. But there is so much pointless brutality in it that one may seriously question whether the movie people are wise to go on with ...
Anthony Oliver Scott (born July 10, 1966) is an American journalist and cultural critic, known for his film and literary criticism. After starting his career at The New York Review of Books, Variety, and Slate, he began writing film reviews for The New York Times in 2000, and became the paper's chief film critic in 2004, a title he shared with Manohla Dargis.
The review aggregator Rotten Tomatoes reported that 81% of critics gave the film a positive review, based on sixteen reviews. [8] Film critic Aljean Harmetz of The New York Times wrote in her review: "For a movie that cost $60,000, The Return of the Secaucus Seven is traveling in heady company. Most $60,000 movies play at two film festivals ...
On the review aggregator website Rotten Tomatoes, the film holds an approval rating of 86% based on 21 reviews, with an average score of 7/10. [13] In 2018, J. Hoberman of The New York Times referred to Karloff's role in the film as "a sensationally creepy performance – at once vicious and obsequious". [2]