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The tale is classified in the international Aarne-Thompson-Uther Index as tale type ATU 426, "The Two Girls, the Bear, and the Dwarf": a pair of sisters welcome a bear into their house; the next summer, the girls rescue an ungrateful dwarf three times; at the end of the tale, the bear defeats the dwarf (who cursed him in the first place) and becomes a human prince.
Regarding the writing style of the novel, according to writer Liu Chuan E: "Eileen Chang wrote in several places in Red Rose, White Rose about Zhenbao and Jiaorui's flirting styles, such as the temptation to 'break the law', how the heart-to-heart conversation is like an apartment anyone can live in, and the details such as over-skilled kissing ...
Scott based the name on a scene in William Shakespeare's play Henry VI, Part 1 (Act 2, Scene 4), set in the gardens of the Temple Church, where a number of noblemen and a lawyer pick red or white roses to symbolically display their loyalty to the Lancastrian or Yorkist faction respectively. During Shakespeare's time, the conflict was simply ...
The battle is referred to in the coat of arms of the London Borough of Barnet which display a red and a silver rose in the top of the shield and two crossed swords in the crest. Every year, the Barnet Medieval Festival is held at the place where the battle is thought to have occurred. It features a re-enactment of the battle and market stalls.
Alice observes three playing cards painting white roses red. They drop to the ground face down at the approach of the Queen of Hearts, whom Alice has never met. When the Queen arrives, along with the King and their ten children, and asks Alice who is lying on the ground (since the backs of all playing cards look alike), Alice tells her that she does not know.
[2] there are, however, doubts as to whether the red rose was actually an emblem taken up by the Lancastrians during the Wars of the Roses. Adrian Ailes has noted that the red rose “probably owes its popular usage to Henry VII quickly responding to the pre-existing Yorkist white rose in an age when signs and symbols could speak louder than ...
In John's revelation the first horseman rides a white horse, carries a bow, and is given a crown as a figure of conquest, [2] [3] perhaps invoking pestilence, or the Antichrist. The second carries a sword and rides a red horse as the creator of (civil) war, conflict, and strife. [4]
War Horse is a British war novel by Michael Morpurgo. It was first published in Great Britain by Kaye & Ward in 1982. The story recounts the experiences of Joey, a horse bought by the Army for service in World War I in France and the attempts of 15-year-old Albert, his previous owner, to bring him safely home.