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The Anne Potter Wilson Music Library, located on the second floor of the Blair School of Music building, is a division of Vanderbilt's Jean and Alexander Heard Library system. The collection, begun in 1947, was moved from Peabody College 's Social-Religious Building (now the Wyatt Center) to its new and permanent home at Blair in the summer of ...
In front of the harp, the figure of a bare-chested black man was kneeling, holding sheet music for the song. The plaster was given a dark surface treatment, and finished like basalt. Savage named the sculpture Lift Every Voice and Sing after the poem and hymn, but the fair's organizing committee renamed it The Harp. Exhibited outside the ...
Quintet for flute, harp and string trio, Op. 2 (1948) Sonata for clarinet and harp (1984) Second Sonata for flute and harp; Adage for trumpet and harp; Claude Debussy. Music for Chansons de Bilitis for two flutes, two harps, and celesta, L. 96 (1900-1) Danses sacrée et profane for harp and string quintet, L. 103 (1904)
String instruments: harp, violins, violas, cellos, basses, frequently abbreviated to 'str', 'strs' or similar. If any soloists or a choir are called for, their parts are usually printed between the percussion/keyboards and the strings in the score. The basic order of the instruments, as seen above, is common to all of the shorthand systems.
The Blair String Quartet is the string quartet-in-residence at the Blair School of Music of Vanderbilt University, As of 2022, consisting of violinists Cornelia Heard and Stephen Miahky, violist Eric Wong and cellist Felix Wang.
Dances for Harp and String Orchestra, in full in the original, Danses pour harpe chromatique avec accompagnement d'orchestre d'instruments à cordes (Dances for chromatic harp with string orchestra accompaniment), is a 1904 work by Claude Debussy. There are two sections: Danse sacrée and Danse profane, and the work is sometimes billed ...
A string of student demonstrations on Vanderbilt University’s campus over the past two weeks has caused a rift at the private university, with student and faculty concerns over their free speech ...
From 1963 he served as a professor of Harp at the University of Hartford where he established annual Harp Master Classes. He invited famous foreign musicians to join his master classes, e.g. the above-mentioned Pierre Jamet; Hans Joachim Zingel, the renowned expert of harp-literature from Cologne; the Belgian and Soviet harpists Mireille Flour ...