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The small church of Saint Sarkis (Armenian: Սուրբ Սարգիս եկեղեցի; pronounced Surp Sarkis) is located in the foothills south of Lake Sevan in the Gegharkunik Province of Armenia. The structure was built between the 12th to 13th centuries and sits south of the village of Tsovinar on a promontory overlooking a small gorge.
According to professor Dickran Kouymjian (Ph.D. in Armenian Studies from Columbia University), [1] the unique national style of Armenian church architecture came into being by the late 6th or early 7th century, probably becoming the first national style in Christian architecture, long before the Byzantine, Romanesque and Gothic or the less ...
A relief of the church is sculpted on the headquarters of the Eastern Diocese of the Armenian Church of America next to the St. Vartan Cathedral in Manhattan, New York; Small-scale models of the church are displayed at the American Museum of Natural History in New York and at Armenia’s national architecture museum . [150] Paintings
Archaeologists have unearthed the remains of an Armenian church dating back almost 2,000 years, making it the oldest structure of its kind in the country and one of the oldest in the world.
The exterior church design, featuring basket capitals with Ionic volute mounts, eagle capitals and vine scroll friezes, reveals the influence of Syrian and northern Mesopotamian architecture. [ 3 ] Zvartnots stood for 320 years before collapsing in the tenth century; by the time the eleventh-century historian Stepanos Taronetsi mentioned the ...
According to the 5th-century Armenian annals, Saint Gregory had a vision of Christ descending from heaven and striking the earth with a golden hammer to show where the cathedral should be built. Hence, the patriarch gave the church and the city the new name of Echmiadzin, which may be translated as "the place where the Only Begotten descended".
The first Armenian churches were built between the 4th and 7th centuries, beginning when the Armenian monarchy converted to Christianity and ending with the Arab invasion of Armenia. [7] The early churches were mostly simple basilicas, some with side apses. By the 5th century the typical cupola cone in the center had become widely used.
In the center of the church interior, arched pendentives support the drum and dome above. High-relief carvings of mythical creatures adorn each of the four stone panels between the pendentives and base of the drum. Small vertical windows around the drum as well as small windows at each of the four façades let light into the main floor below.