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Whereas the 1940s–1960s radio DJs had used back-cueing while listening to the sounds through their headphones, without the audience hearing, with scratching, the DJ intentionally lets the audience hear the sounds that are being created by manipulating the record on the turntable, by directing the output from the turntable to a sound ...
Final Scratch offers the ability to play audio tracks unavailable on vinyl e.g. pre-arranged loops, unreleased music or rare tracks.Furthermore, it allows the use of CD deck features (software permitting) such as keylock, pitch shift, looping, instant cue locating and visual indicators of audio features such as loud or quiet parts, and the ability to prevent needle skips on the vinyl being ...
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English: In the early 1970's in the South Bronx, a young teen DJ named "Grand Wizzard Theodore" invented the "DJ scratch" technique. Other DJs, like Grandmaster Flash, took the technique to higher levels to the familiar sound and technique we hear today.
FLAC (/ f l æ k /; Free Lossless Audio Codec) is an audio coding format for lossless compression of digital audio, developed by the Xiph.Org Foundation, and is also the name of the free software project producing the FLAC tools, the reference software package that includes a codec implementation.
A DJ mix or DJ mixset is a sequence of musical tracks typically mixed together to appear as one continuous track. DJ mixes are usually performed using a DJ mixer and multiple sounds sources, such as turntables, CD players, digital audio players or computer sound cards, sometimes with the addition of samplers and effects units, although it is possible to create one using sound editing software.
The DJ then moves the record forward while simultaneously closing the previously opened channel ending the first sound. Then, in a reverse fashion, the DJ opens the channel while moving the record backwards creating a more controlled sounding "baby scratch". Done in quick succession it sounds as though a chirp sound is being produced.
A crab is a type of scratch used by turntablists, combining hand movements on a turntable with rapid manipulation of the crossfader.This technique enables the creation of multiple, rapid sound variations, producing a unique stutter sound that blends audio and silence, giving it an almost robotic quality.