Search results
Results From The WOW.Com Content Network
The Heart of Saturday Night is the second studio album by singer and songwriter Tom Waits, released on October 15, 1974, on Asylum Records. [2] The title song was written as a tribute to Jack Kerouac . [ 3 ]
After completing the album Closing Time, Waits toured with Frank Zappa. At this period, Waits started to write and compose the album The Heart of Saturday Night, basing it around the writing style and thematic elements of Jack Kerouac. [2] [3] The song itself is a melancholy reflection of exploring the city streets at night.
"(Looking for) The Heart of Saturday Night" The Heart of Saturday Night: 1985 "Tango Till They're Sore" Down By Law: 1993 "Heartattack and Vine" Heartattack and Vine "I'll Shoot the Moon" The Black Rider: 2002 "Alice" Alice "God's Away on Business" Blood Money: 2004 "How It's Gonna End" Real Gone "Make It Rain"
His first albums were the jazzy Closing Time (1973), The Heart of Saturday Night (1974) and Nighthawks at the Diner (1975), which reflected his lyrical interest in poverty, criminality and nightlife. He repeatedly toured the United States, Europe and Japan, and found greater critical and commercial success with Small Change (1976), Blue ...
Songs written by Tom Waits, except where noted. "Ol' '55" (from Closing Time) – 3:55 "Diamonds on My Windshield" (from The Heart of Saturday Night) – 3:10 "(Looking For) Heart of Saturday Night" (from The Heart of Saturday Night) – 3:50 "I Hope That I Don't Fall in Love With You" (from Closing Time) – 3:52 "Martha" (from Closing Time ...
Science & Tech. Shopping. Sports
The album's closing song, "I Can't Wait to Get Off Work (And See My Baby on Montgomery Avenue)", has a simple musical arrangement, boasting only Waits' voice and piano, with bass by Jim Hughart. The lyrics are about Waits' first job at Napoleone Pizza House in San Diego, which he began in 1965, at the age of 16. [6]
The set is a collection of 26 rare and 30 brand new songs (there are two hidden tracks on disc 3). Each disc is intended as a separate collection in itself; the first with roughcut rock and blues, the second melancholy tunes and ballads, and the third the more experimental songs and spoken word pieces.