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Dead Center was released by HighNote Records in 2004. [2] The AllMusic reviewer compared it to "the moody and atmospheric mid-to-late-'60s work of fellow reedmen Wayne Shorter and Hank Mobley", and concluded that the album "finds Alexander revealing himself as a grounded and muscular improviser who never takes his eye off the target."
He said he refused to follow a playlist, "playing music from the heart, not a research chart." [ 10 ] During the 1960s, Blavat was a partner in the Lost Nite and Crimson record labels, with Jared Weinstein and Collectables Records ' founder Jerry Greene. [ 11 ]
The original music video, now taken down by Youtube, contained footage of the attacks. The song was released on 9/11 of 2012, its music video on 9/11 of 2015, and was brought back to streaming sites 9/11 of 2021 after being taken down in August of that year. Lily Kershaw "Ashes Like Snow" Midnight in the Garden 2013
Oldies is a term for musical genres such as pop music, rock and roll, doo-wop, surf music, broadly characterized as classic rock and pop rock, from the second half of the 20th century, specifically from around the mid-1950s to the 1980s, as well as for a radio format playing this music.
Rhythmic oldies is a radio format that concentrates on the rhythmic, R&B, disco, or dance genres of music. Playlists can span from the 1960s through the 2000s and, depending on market conditions, may be designed for African-American or Hispanic audiences.
Classic hits is a radio format which generally includes songs from the top 40 music charts from the late 1960s to the early 2000s, with music from the 1980s serving as the core of the format. Music that was popularized by MTV [ 1 ] in the early 1980s and the nostalgia behind it [ 2 ] is a major driver to the format.
Scott Shannon's True Oldies Channel (also known more recently as The True Oldies Channel: Greatest Hits) is a radio network begun in the spring of 2004. Originally distributed by ABC Radio Networks via satellite, the service plays a hybrid oldies/classic hits format comprising music mostly from 1964 to 1979 but also plays selected cuts from the 1955-1963 era and also from the 1980s.
Spazz vocalist and bassist Chris Dodge's record label, Slap-a-Ham Records, [7] was a fixture during the rapid rise and decline of powerviolence in the late '80s and early '90s, releasing influential records by the likes of Man Is the Bastard, No Comment, Crossed Out, Infest and Spazz, amongst others.