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"Playing the studio" is equivalent to 'in-studio composition', meaning writing and production occur concurrently. [4] Definitions of the specific criterion of a "musical instrument" vary, [5] and it is unclear whether the "studio as instrument" concept extends to using multi-track recording simply to facilitate the basic music writing process. [6]
However, major recording studios often have a selection of instruments in their live room, typically instruments, amplifiers and speaker cabinets that are large, heavy, and difficult to transport (e.g., a Hammond organ) or infeasible (as in the case of a grand piano) to hire for a single recording session. Having musical instruments and ...
Mark E. Smith, vocalist and leader of the UK musical group The Fall, was known to forbid use of click tracks in the recording studio. [4] Simon Wolstencroft, drummer for The Fall in the 1980s and '90s, stated "[Smith] hated it if the drums became too slick" by synchronizing with a click track. [5]
From 1950 onwards, magnetic tape quickly became the standard medium of audio master recording in the radio and music industries and led to the development of the first hi-fi stereo recordings for the domestic market, the development of multi-track tape recording for music, and the demise of the disc as the primary mastering medium for sound ...
Frances Densmore and Blackfoot chief Mountain Chief working on a recording project of the Bureau of American Ethnology (1916).. Sound recording and reproduction is the electrical, mechanical, electronic, or digital inscription and re-creation of sound waves, such as spoken voice, singing, instrumental music, or sound effects.
A nightclub stage's mixer for rock music shows may have 24 channels for mixing the signals from a rhythm section, lead guitar and several vocalists. A mixing console in a professional recording studio may have as many as 96 channels. [1] Consoles used for live sound can go even higher, with some having up to 384 input channels. [2]