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Cambodia's premier performing art form is Khmer classical dance, or Robam Preah Reach Trop, a highly stylized dance form originating from the royal courts.Originally performed and maintained by attendants of the royal palaces, Khmer classical dance was introduced to the general public in the mid-20th century and became widely celebrated as iconic of Cambodian culture, often performed during ...
The word robam in the Khmer language is referred to traditional dance. One of the earliest records of dance (Khmer: robam/ rabam) in Cambodia is from the 7th century, where performances were used as a funeral rite for kings. During the Angkor period, dance was ritually performed at temples.
Many dances and dance dramas were also recreated at the Royal University of Fine Arts in Cambodia. In 2003 it was inducted into the UNESCO Intangible Cultural Heritage Lists . In 2023 director Xavier de Lauzanne released The Perfect Motion, [‘La beauté du geste’ in French, and ‘Tep Hattha’ in Khmer] an 86-minute documentary film on the ...
Cambodian dance can be divided into three main categories: classical dance, folk dances, and vernacular dances. Khmer folk dance. Khmer classical dance is a form of Cambodian dance originally performed only for royalty. The dances have many elements in common with Thai classical dance. During the mid-20th century, it was introduced to the ...
Cambodia’s centuries-old tradition of masked dance was nearly wiped out by the Khmer Rouge regime, but a handful of artists managed to keep it alive and are now working to pass it along to a new ...
"The Ritual Origins of the Classical Dance Drama of Cambodia". Asian Theatre Journal. 3 (2): 179– 203 – via JSTOR. Kol, Sarou (2018). "One Corner of Intangible Culture Heritage of Cambodia" (PDF). Royal Academy of Cambodia. Norodom Buppha Devi (2016-01-20). "Royal Dances of Cambodia — Revival and Preservation". Beyond the Apsara.
The dance narrates the Cambodian myth of rain, thunder, and lightning, which is created from the fight between the strong ugly demon male, Ream Eyso (wearing a long-sleeved shirt), and the beautiful female goddess, Moni Mekhala (wearing a short-sleeved shirt), for the control of the magical crystal ball owned by Moni Mekhala.
The circular dance style is claimed as a traditional dance in the four countries of the region where it is often part of traditional festivities, popular celebrations and modern parties. In addition to the dominant Khmer, Lao, Malay and Thai cultures, romvong is also common among many other groups indigenous to Southeast Asia.