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Buddy Gene Emmons (January 27, 1937 – July 21, 2015) was an American musician who is widely regarded as the world's foremost pedal steel guitarist of his day. [1] [2] He was inducted into the Steel Guitar Hall of Fame in 1981. [3]
The organization contains inductees from outside the U.S. [9] and is sometimes referred to as the "International Steel Guitar Hall of Fame" to distinguish it from various regional associations. [ 2 ] The first woman to become a member was Barbara Mandrell in 2009 [ 10 ] An ongoing goal of the hall of fame is to secure a permanent museum site to ...
Emmons also chose an intriguing mix of material...This was pretty much a one-time affair for Emmons, who returned to country music, though he did record some additional jazz with guitarist Lenny Breau during the 1970s". [1] Kevin Whitehead reviewed the album in 2003 for National Public Radio's Fresh Air. [2]
Neil Lanny Flanz (June 22, 1938 – December 2, 2021) was a Canadian pedal steel guitarist who grew up in Montreal. [1] In the mid-1960s he moved to Nashville and played on the Grand Ole Opry . He later lived in Florida and Austin, Texas . [ 1 ]
Jimmy Day (born James Clayton Day; January 9, 1934 – January 22, 1999) [1] was an American steel guitarist active in the 1950s and 1960s. [2] His career in country music blossomed about the time the pedal steel guitar was invented—after pedals were added to the lap steel guitar.
Elmer Lee "Buddy" Charleton (March 6, 1938 – January 25, 2011), was an American country musician and teacher. [1] Known primarily for his work as a pedal steel guitarist in Ernest Tubb's Texas Troubadours band, Charleton played on numerous songs such as Waltz across Texas and instrumentals Cool it, Honey Fingers, Almost to Tulsa and Rhodes-Bud Boogie.
Inspired by the steel guitar styles of Jerry Garcia (with The Grateful Dead) and Don Helms (with Hank Williams), Bobby Lee took up the steel guitar in 1972. He started performing with country bands in Northern California in 1975, and became a common fixture in Sonoma County's country music scene starting in 1979.
Fender began producing the 1000 in 1957. [1] It was marketed alongside its single-neck sibling, the Fender 400 At the time it was an innovative instrument but was quickly made obsolete as pedal steel players began to standardize on Emmons and Day setups requiring ten strings and knee levers in addition to pedals.