Search results
Results From The WOW.Com Content Network
The album offers two genres of music for two different moods, a division which Oldfield created by making two CDs of music. The first nine tracks are dubbed "Light" and feature brighter and quiet pieces; the second half of the album is the "Shade" portion and brings in a much darker feel.
Ritual. is the debut album by Czech black metal band Master's Hammer, initially released through independent label Monitor in 1991.It was later distributed elsewhere and re-released in CD format by Osmose Productions in 1994; Osmose's version contains two bonus tracks.
It is unknown whether a studio version was recorded; Recorded as "Maybe" by Enrique Iglesias for his second English-language album Escape (2001) [72] "Mystic Man" † Britney Spears — — Performed by Spears on select dates of the Dream Within a Dream Tour in 2002; Possibly written about Justin Timberlake; It is unknown whether a studio ...
Ritual were signed to Island, who picked up their debut, and released their second EP, From the City to the Wilderness, in March 2015. [5] " Josephine" was the lead single from the EP described as "a marvelously down tempo tune, all plaintive piano chords, guitars, shuffling beats and a dreamy exchange between the Ritual front man and Lisa ...
In 2014, in celebration of the album's 20th anniversary, the band reissued a remastered deluxe version of the album. It also featured the bonus tracks from the As the Shadows Rise 1994 EP, as well as a previously unreleased alternative mix of the album and pre-production rehearsal tracks from 1993.
Ancient Rites is a Belgian black metal band formed in 1988. Initially, the lineup consisted of guitar players Johan and Phillip, drummer Stefan, and Gunther Theys on bass and vocals. [2]
"Overprotected" is a song by American singer Britney Spears from her third studio album, Britney (2001). It was written and produced by Max Martin and Rami.The song was released on December 10, 2001, by Jive Records as the second international single from Britney.
In a review for AllMusic, K. Ross Hoffman praised how Night Drive "evokes widescreen opulence with a sonic palette that extends beyond the bedrock of synths, guitars, and drum machines to include touches of organ, strings, flutes, and so on, but it's always used sparingly, rarely outstepping the group's meticulously minimal, carefully controlled arrangements". [8]