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Poets who wrote, or write, much or all of their poetry in the Yiddish language include: This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items with reliable sources .
Solomon Blumgarten (Yiddish: שלמה בלומגאַרטען) (16 September 1872 – 10 January 1927), known by his pen name Yehoash (יהואַש), was a Yiddish poet, scholar, and translator. Yehoash was "generally recognized by those familiar with [Yiddish] literature, as its greatest living poet and one of its most skillful raconteurs ...
Most of her poetry was written there. [2] Margolin was associated with both the Di Yunge and ‘introspectivist’ groups in the Yiddish poetry scene at the time, but her poetry is uniquely her own. [3] In her early years in New York City Margolin joined the editorial staff of the liberal Yiddish daily Der Tog (The Day; founded 1914). Under her ...
Kadia Molodowsky (Yiddish: קאַדיע מאָלאָדאָװסקי; also: Kadya Molodowsky; May 10, 1894, in Bereza Kartuska, now Byaroza, Belarus – March 23, 1975, in Philadelphia) was a Polish-American poet and writer in the Yiddish language, and a teacher of Yiddish and Hebrew. She published six collections of poetry during her lifetime ...
Żychlińsky was fluent in five languages. After the war and the nearly total elimination of the Yiddish-speaking communities in Europe, [8] she continued to write exclusively in Yiddish. Karina von Tippelskirch writes, "Zychlinsky wrote poems only in Yiddish, the mameloshn—her mother tongue. It linked the poet and her mother, and it remains ...
Rachel (Rokhl) Häring Korn (Yiddish: רחל קאָרן, 15 January 1898 – 9 September 1982) was a Polish-born Canadian Yiddish language poet and author.In total, she published eight collections of poetry and two of prose.
Moyshe-Leyb Halpern (Yiddish: משה-לײב האַלפּערן) (January 2, 1886 – August 31, 1932) was a Yiddish-language modernist poet. He was born and raised in a traditional Jewish household in Zlotshev, Galicia and brought to Vienna at the age of 12 in 1898 to study commercial art. He then began writing modernist poetry in German. [1]
The Museum of the Yiddish Theatre writes that The Golem was "an overwhelming success everywhere." [3]According to the 1963 Lexicon of Yiddish Literature, "People read and re-read [The Golem], debated and wrote about the problems of the book: World liberation and Jewish redemption, the role of matter and the role of the spirit in the process of redemption, the Jewish Messiah and the Christian ...