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"Epitaph" is the third track on British progressive rock band King Crimson's 1969 album In the Court of the Crimson King. It was written by Robert Fripp, Ian McDonald, Greg Lake, and Michael Giles with lyrics written by Peter Sinfield. The song is noted for its heavy use of the Mellotron.
Epitaph is a German rock band, formed in Dortmund in 1969. Playing initially what Allmusic described as "post-psych progressive rock, spiced with occasional jazz accents and widespread twin-guitar harmonies," [1] in 1973 they started shifting towards more straightforward hard rock (later heavy metal) stylings and, having released six studio albums, disbanded in 1982.
The song served as the band's first release of new music since their 2020 album A Portrait of an Ugly Man. [5] Mercy' s second single, "New in Town", was released on December 6, 2023, alongside a music video that, as described by Michael Major of BroadwayWorld , "features a melodramatic karaoke style performance of the song in an empty bar full ...
Remo Drive is an American rock band from Bloomington, Minnesota. [1] They are currently signed to Epitaph Records. They released their first full length album titled Greatest Hits on March 16, 2017.
The band entered Balboa Recording in Los Angeles in February 2018 with producer and Fidlar frontman Zac Carper, spending two straight weeks recording songs. [4] Hypochondriac marked the debut of guitarist Jordan Clark and was the band's first release for Epitaph Records.
Drummer Byron McMackin said 14 songs were recorded from a potential pool of over 30. [9] They took a break from recording to play a benefit show in February 2003. [10] The band took further time out when Dragge's father died; the album was eventually mixed in June 2003. [11]
Covered with Ants is the sixth album by the Huntington Beach, California punk rock band Guttermouth, released in 2001 by Epitaph Records.It was the band's first album for Epitaph, having ended their contract with Nitro Records the previous year.
Being a characteristic feature on previous recordings, on Epitaph Front Line Assembly did not use samples. "This is the first time we quit using movie samples.", said Bill Leeb to Belgian magazine Side-Line and cited the more important role of samples in contemporary music and its financial side: "Sampling is an artform which was criticised in the beginning, but now it's a respected artform ...