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In the most common sense (that which relates the specific dynamics of theatre to the broader aesthetic category of 'representational art' or 'mimesis' in drama and literature), the terms describe two contrasting functional relationships between the actor and the audience that a performance can create. [2]
Stanislavski considered the French actor Coquelin (1841–1909) to be one of the best examples of "an artist of the school of representation". [1]The "art of representation" (Russian: представление, romanized: predstavlenie) is a critical term used by the seminal Russian theatre practitioner Konstantin Stanislavski to describe a method of acting.
Prague Quadrennial of Performance Design and Space - the largest scenography event in the world - presenting contemporary work in a variety of performance design disciplines and genres - costume, stage, light, sound design, and theatre architecture for dance, opera, drama, site specific, multi-media performances, and performance art, etc ...
Performing arts comprise dance, music, theatre, opera, mime, and other art forms in which human performance is the principal product. Performing arts are distinguished by this performance element in contrast with disciplines such as visual and literary arts, where the product is an object that does not require a performance to be observed and ...
[3] [4] In painting, naturalism is the precise, detailed and accurate representation in art of the appearance of scenes and objects. It is also called mimesis or illusionism and became especially marked in European painting in the Early Netherlandish painting of Robert Campin , Jan van Eyck and other artists in the 15th century.
Performativity is the concept that language can function as a form of social action and have the effect of change. [1] The concept has multiple applications in diverse fields such as anthropology, social and cultural geography, economics, gender studies (social construction of gender), law, linguistics, performance studies, history, management studies and philosophy.
Vito Acconci [122] [123] was an influential American performance, video and installation artist, whose diverse practice eventually included sculpture, architectural design, and landscape design. His foundational performance and video art [124] was characterized by "existential unease," exhibitionism, discomfort, transgression and provocation ...
Scenic design, also known as stage design or set design, is the creation of scenery for theatrical productions including plays and musicals. The term can also be applied to film and television [ 1 ] productions, where it may be referred to as production design . [ 2 ]